Merci Pour le Chocolat - Isabelle Huppert

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S E A R C H D V D B e a v e r

(aka 'Nightcap')

France / Switzerland 2000

Claude Chabrol's Merci Pour le Chocolat is a light confection with a tasty Isabelle Huppert performance at its center. Working from a 1948 recipe by a sometime scriptwriter for Alfred Hitchcock Presents, Chabrol knocks off a witty psychological thriller—more gothic than noir.

Set by the placid shores of Lake Lausanne, the movie opens with Swiss chocolate factory heiress Mika Muller (Huppert) marrying celebrated concert pianist André Polonski (Jacques Dutronc) for the second time, in a ceremony where family business blends with gossipy intrigue. Without pausing to clarify, Chabrol introduces a second domestic unit whose daughter, Jeanne (Anna Mouglalis), herself an aspiring pianist, learns that she was almost switched at birth with Guillaume (Rodolphe Pauly), André's highly unmusical son by his first (or rather, his second) wife, dead some years ago in car accident. The tangled genealogy has intimations of Elizabethan comedy—as does the spirited Jeanne, who, intrigued with the possibility that she might be the biological daughter of the great Polonski, presents herself at his wife's hilltop chateau.

Excerpt from J. Hoberman's review at The Village Voice located HERE.

Posters etc.

Theatrical Release: August 2nd, 2000 - Montreal Film Festival

Reviews DVD Reviews

DVD Comparison:

Artificial Eye - Region 2 - PAL vs. Remstar - Region 1 - NTSC vs. MK2 - Region 2 - PAL

Big thanks to Per-Olof Strandberg for the Artificial Eye Screen Caps and Eric Cotenas for the MK2!

1) Artificial Eye - Region 2 - PAL - LEFT

2) Remstar - Region 1 - NTSC - MIDDLE

3) MK2 - Region 2 - PAL - RIGHT

DVD Box Covers
Distribution	Artificial Eye Region 2 - PAL	Remstar Region 1 - NTSC	MK2 Region 2 - PAL
Runtime	1:36:24 (4% PAL speedup)	1:36:15 (4% PAL speedup)	1:36:21 (4% PAL speedup)
Video	1:1.78 Aspect Ratio 16X9 enhanced Average Bitrate: 6.33 mb/s PAL 720x576 25.00 f/s	Original Aspect Ratio 16X9 enhanced Average Bitrate: mb/s NTSC 720x480 29.97 f/s	1.62:1 Original Aspect Ratio 16X9 enhanced Average Bitrate: 4.66 mb/s PAL 720x576 25.00 f/s
	NOTE: The Vertical axis represents the bits transferred per second. The Horizontal is the time in minutes.
Bitrate: Artificial Eye
Bitrate: Remstar
Bitrate: MK2
Audio	French (Dolby Digital 2.0)	French (Dolby Digital 2.0), French (Dolby Digital 5.1)	French Dolby Digital 5.1
Subtitles	English (Forced)	English, None	None
Features	Release Information: Studio: Artificial Eye Aspect Ratio: Widescreen anamorphic - 1:1.78 Edition Details: • Trailer (1:29) • Making of documentary (26:01) • Isabella Huppert interview (7:09) • Anna Mouglalis Screen test (10:30) • Interview with Chabrol (TEXT / 11 Pages) • Cast & Crew Filmography DVD Release Date: November 19th, 2001 Keep Case Chapters 16	Release Information: Studio: Remstar / First Run Aspect Ratio: Aspect Ratio 1.63:1 Edition Details: • Filmography • 4 advert trailers DVD Release Date: March 23rd, 2004 Keep Case Chapters: 16	Release Information: Studio: MK2 Aspect Ratio: Widescreen anamorphic - 1.62:1 Edition Details: • SIDE A: • Introduction by Joel Magny • SIDE B: • Cinema Lesson by Claude Chabrol (four scenes with commentary; 16:9; 41:59) • Making-of featurette (4:3; 26:01) • Interview with Isabelle Huppert (4:3; 7:08) • Interview with Jacques Dutronc (4:3; 31:59) • Screen test for Anna Mouglalis (16:9; 10:30) • Theatrical Trailer (4:3; 1:29) • Bonus trailers for INSPECTOR LAVARDIN, MASQUES, THE STORY OF WOMEN, MADAME BOVARY, BETTY, L'ENFER, • LA CEREMONIE, RIEN NE VA PLUS, AU COEUR DE MENSONGE, and MERCI POUR LE CHOCOLAT DVD Release Date: 22 May 2001 Amaray Chapters 16

Comments

ADDITION: MK2 - May 2010': The original MK2 edition seems to be the best picture-wise of the available editions as it is presented in its original 1.66:1 aspect ratio and sports a Dolby Digital 5.1 soundtrack. Unlike other MK2 Chabrol titles, MERCI POUR LE CHOCOLAT is not English-friendly. Also unlike others in the series, it is not a dual-layer disc; rather, it is a double-sided disc that presents a single-layer anamorphic transfer of the film on side A with introduction by Joel Magny (narration over a series of slides and clips) and the rest of the supplements on side B including a 42 minute selected scenes commentary by Chabrol. Some of the extras were ported over to the Artificial Eye edition in the UK (with the exception of the selected commentary and the Dutronc interview) and translated but that edition was ruinously cropped to 1.78:1. The UK disc also featured large burnt-in subtitles and 2.0 stereo audio only. The two North American editions were PAL-converted and non-anamorphic. The Canadian Remstar had 5.1 and 2.0 tracks as well as optional subtitles while the US First Run edition had burnt-in subtitles and a 2.0 track but was not a port of the UK edition as it was in the 1.66:1 ratio (the Canadian edition was also 1.66:1). The 2001 MK2 edition seems to be out of print but a check at Amazon shows that it has been reissued a few times with the latest being in 2008 which is still available HERE.

- Eric Cotenas

******

ON THE ARTIFICIAL EYE vs. the REMSTAR: Both of these DVDs have fatal flaws that cannot be disregarded. Starting with the Artificial Eye - it has been cropped from the intended ratio of 1.66:1 to suit 1.78 widescreen systems. Heads are chopped here and there (see large capture # 3). It has burned-in subtitles which are quite large and intrusive. It does have some decent Extra features but the cropping is noticeable on Chabrol's tight framing. Now, the Remstar - Looking at the times it is a PAL->NTSC transfer with only minimal examples of 'ghosting' (see last capture). It is non-anamorphic, and non-progressive but it is fairly close to the 1.66 intended aspect ratio. Both a 2.0 and 5.1 French track are optional - no extras to speak of - and I found the subtitles as large and intrusive as the Artificial Eye but at least they are optional. The Remstar virtually has no extras.

The lesser of two evils is the Remstar but it is a very strange disc with limitations in the image but include a 5.1 bump option in the audio. I suggest Remstar get their priorities correct when engaging in DVD production.

NOTE: We are just off on a few of the frames but the glaring points of comparison are still easy to discern.

Gary Tooze

DVD Menus

(Artificial Eye - Region 2 - PAL - LEFT vs. Remstar - Region 1 - NTSC - RIGHT)

MK2 - Region 2 - PAL

Screen Captures

1) Artificial Eye - Region 2 - PAL - TOP

2) Remstar - Region 1 - NTSC - MIDDLE

3) MK2 - Region 2 - PAL - BOTTOM

1) Artificial Eye - Region 2 - PAL - TOP

2) Remstar - Region 1 - NTSC - MIDDLE

3) MK2 - Region 2 - PAL - BOTTOM

1) Artificial Eye - Region 2 - PAL - TOP

2) Remstar - Region 1 - NTSC - MIDDLE

3) MK2 - Region 2 - PAL - BOTTOM

1) Artificial Eye - Region 2 - PAL - TOP

2) Remstar - Region 1 - NTSC - MIDDLE

3) MK2 - Region 2 - PAL - BOTTOM

1) Artificial Eye - Region 2 - PAL - TOP

2) Remstar - Region 1 - NTSC - MIDDLE

3) MK2 - Region 2 - PAL - BOTTOM

1) Artificial Eye - Region 2 - PAL - TOP

2) Remstar - Region 1 - NTSC - MIDDLE

3) MK2 - Region 2 - PAL - BOTTOM

NOTE: Not exact frame (notice combing in Remstar)

Recommended Reading in French Cinema (CLICK COVERS or TITLES for more information)


The Films in My Life by Francois Truffaut, Leonard Mayhew	French Cinema: A Student's Guide by Philip Powrie, Keith Reader	Agnes Varda by Alison Smith	Godard on Godard : Critical Writings by Jean-Luc Godard	Claude Chabrol (French Film Directors) by Guy Austin	Robert Bresson (Cinematheque Ontario Monographs, No. 2) by James Quandt	The Art of Cinema by Jean Cocteau	French New Wave by Jean Douchet, Robert Bonnono, Cedric Anger, Robert Bononno	French Cinema: From Its Beginnings to the Present by Remi Fournier Lanzoni