(aka "Onibaba" or "The Demon, "Devil Woman" or " The Hole" or "The Ogress" or "The Witch" )

directed by Kaneto Shindō
Japan 1964

Deep within the wind-swept marshes of war-torn medieval Japan, an impoverished mother and her daughter-in-law eke out a lonely, desperate existence. Forced to murder lost samurai and sell their belongings for grain, they dump the corpses down a deep, dark hole and live off of their meager spoils. When a bedraggled neighbor returns from the skirmishes, lust, jealousy, and rage threaten to destroy the trio’s tenuous existence, before an ominous, ill-gotten demon mask seals the trio’s horrifying fate. Driven by primal emotions, dark eroticism, a frenzied score by Hikaru Hayashi, and stunning images both lyrical and macabre, Kaneto Shindo’s chilling folktale Onibaba is a singular cinematic experience.

**************

Kaneto Shindo, one of Japan's most prolific directors, received his biggest international success with the release of Onibaba in 1964. Its depiction of violence and graphic sexuality was unprecedented at the time of release. Shindo managed — through his own production company Kindai Eiga Kyokai — to bypass the strict, self-regulated Japanese film industry and pave the way for such films as Yasuzo Masumura's Mojuu (1969) and Nagisa Oshima's Ai no corrida (1976).

Onibaba is set during a brutal period in history, a Japan ravaged by civil war between rivaling shogunates. Weary from combat, samurai are drawn towards the seven-foot high susuki grass fields to hide and rest themselves, whereupon they are ambushed and murdered by a ruthless mother (Nobuko Otowa) and daughter-in-law (Jitsuko Yoshimura) team. The women throw the samurai bodies into a pit, and barter their armour and weapons for food. When Hachi (Kei Sato), a neighbour returning from the wars, brings bad news, he threatens the women's partnership.

Erotically charged and steeped in the symbolism and superstition of its Buddhist and Shinto roots, Kaneto Shindo's Onibaba is in part a modern parable on consumerism, a study of the destructiveness of sexual desire and — filmed within a claustrophobic sea of grass — one of the most striking and unique films of the last century, winning Kiyomi Kuroda the Blue Ribbon Award for Cinematography in 1965. The memorably frenetic drumming soundtrack was scored by long-time Shindo collaborator Hikaru Hayashi.

Posters

Theatrical Release: February 4th, 1964

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DVD Comparison:

Eureka - Region 2 - PAL vs. Criterion - Region 0 - NTSC vs. Asmik - Region 2 - NTSC

Big thanks to Mark Wilson of NicheFlix for Asmik Screen Captures!

(Eureka - MOC - Region 2 - PAL LEFT vs. Criterion - Region 0 - NTSC - MIDDLE vs. Asmik Ace - Region 2 - NTSC - RIGHT)

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Distribution

Eureka (MOC #13)

Region 2 - PAL

Criterion Collection - Spine # 226-  

Region 0 - NTSC

Pioneer  / Asmik Ace

Region 2 - NTSC

Runtime 1:38:42 1:42:36 1:42:18 
Video

2.35:1  Aspect Ratio

16X9 enhanced
Average Bitrate: 7.65 mb/s
PAL 720x576 25.00 f/s

2.35:1  Aspect Ratio

16X9 enhanced
Average Bitrate: 6.2 mb/s
NTSC 720x480 29.97 f/s 

2.35:1.00  Aspect Ratio

16X9 enhanced
Average Bitrate: 6.37 mb/s
NTSC 720x480 29.97 f/s

NOTE: The Vertical axis represents the bits transferred per second. The Horizontal is the time in minutes.
Bitrate:

Eureka

 

Bitrate:

Criterion

 

Bitrate:

 

Asmik Ace

 

Audio Japanese (Dolby Digital 2.0 Mono) Japanese (Dolby Digital 2.0 Mono) 

Japanese (Dolby Digital 2.0 Mono)

Subtitles English, None English, None English, Japanese and none
Features Release Information:
Studio: Eureka Video

Aspect Ratio:
Original aspect Ratio 2.35:1

Special Features

• Full-length director's audio commentary by director Kaneto Shindo and the stars of the film, Kei Sato, and Jitsuko Yoshimura (in Japanese with removable subtitles)
• Video introduction by Alex Cox
• 8mm footage (40-minutes) shot on location by lead actor Kei Sato
• Original trailer
• Production stills and promotional art gallery
• 24-page booklet with a new essay by Doug Cummings, an English translation of the original short Buddhist fable that inspired the film and a statement from writer/director Kaneto Shindo about why he made Onibaba

DVD Release Date: August 22nd, 2005
Transparent Keep Case
Chapters: 12

Release Information:
Studio: Criterion / Home Vision

Aspect Ratio:
Original aspect Ratio 2.35:1

Special Features

• New video interview with writer/director Kaneto Shindo
• Rare super-8 black & white and color footage provided by actor Kei Sato, shot on location during the filming of Onibaba
• Original trailer
• Stills gallery featuring production sketches and promotional art
• Rare English translation of the original short Buddhist fable that inspired the film
• Filmmaker’s statement from writer/director Kaneto Shindo

DVD Release Date: March 16th, 2004
Keep Case
Chapters: 21

Release Information:
Studio: Asmik Ace (Japan) / Kindai Eiga Kyokai Ltd

Aspect Ratio:
Widescreen letterbox - 2.35:1



Edition Details:

  • Audio commentary
  • Documentary (40:00)
  • Trailer
  • Picture gallery

NOTE: Extras do not have English subtitles.

The 40-minute documentary is priceless! a mixture of color and b&w 8-mm footage from the making of the movie - it's silent, so, no subs needed. Incredible footage!!

DVD Release Date:10 / 08 / 2001
Keep Case
Chapters: 18

Comments: ADDITION: Eureka - Region 2 - PAL (August 2005): I will try to be brief as I feel I could talk about these three release enough to fill 3 of these web pages. Bottom line: the Eureka is the one to own, it, like the Asmik, is sharper than the Criterion and has better subtitle translations than the Asmik. It also boasts the best extras with a Full-length director's audio commentary by director Kaneto Shindo and the stars of the film, Kei Sato, and Jitsuko Yoshimura (in Japanese with removable subtitles), 8mm footage (40-minutes) shot on location by lead actor Kei Sato and a 24-page booklet with a new essay by Doug Cummings, an English translation of the original short Buddhist fable that inspired the film and a statement from writer/director Kaneto Shindo about why he made Onibaba.

****

It appears in direct comparison to the Asmik Ace DVD that the Criterion has some cropping on both edges (especially the left) as well as the top. The Asmik image is marginally sharper than the Criterion which is darker, although I think the differences are acceptably negligible in image quality - the cropping keeps the Asmik in the lead. The Criterion wins the Extras only as they have English subtitles. This is a pick'em, but true image purists will want to get the Asmik Ace - fans of the film may want the Criterion for the Extras.

 - Gary W. Tooze

Recommended Reading for Japanese Film Fans (CLICK COVERS or TITLES for more information)

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DVD Menus

(Eureka - MOC - Region 2 - PAL)

 



(Criterion - Region 0 - NTSC - LEFT vs. Asmik Ace - Region 2 - NTSC - RIGHT)

 

 

Subtitle Samples

 

(Eureka - MOC - Region 2 - PAL TOP vs. Criterion - Region 0 - NTSC - MIDDLE vs. Asmik Ace - Region 2 - NTSC - BOTTOM)


 

Eureka - MOC - Region 2 - PAL - Director Commentary subtitles

 

Screen Captures

(Eureka - MOC - Region 2 - PAL TOP vs. Criterion - Region 0 - NTSC - MIDDLE vs. Asmik Ace - Region 2 - NTSC - BOTTOM)

 

 

(Eureka - MOC - Region 2 - PAL TOP vs. Criterion - Region 0 - NTSC - MIDDLE vs. Asmik Ace - Region 2 - NTSC - BOTTOM)

 

 

(Eureka - MOC - Region 2 - PAL TOP vs. Criterion - Region 0 - NTSC - MIDDLE vs. Asmik Ace - Region 2 - NTSC - BOTTOM)

 

 

(Eureka - MOC - Region 2 - PAL TOP vs. Criterion - Region 0 - NTSC - MIDDLE vs. Asmik Ace - Region 2 - NTSC - BOTTOM)

 

 

(Eureka - MOC - Region 2 - PAL TOP vs. Criterion - Region 0 - NTSC - MIDDLE vs. Asmik Ace - Region 2 - NTSC - BOTTOM)

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Image:

Eureka / Asmik (better subs on Eureka though)

Sound:

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Extras: Eureka (for commentary)
Menu: I like Eureka's
DVD Box Covers

 

 

    

 

Distribution

Eureka (MOC #13)

Region 2 - PAL

Criterion Collection - Spine # 226-  

Region 0 - NTSC

Pioneer  / Asmik Ace

Region 2 - NTSC




 

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