DVD Comparison Andrei Tarkovsky's " The Sacrifice " Swedish Film Institute - Region 2- PAL vs. Imagica - Region 2 vs. Kino Region 0 NTSC vs Artificial Eye Region 2 PAL Andrei Tarkovsky Offret The Sacrifice DVD Review Andrei Tarkovsky Offre

(aka "Le Sacrifice" or "The Sacrifice" or "The Witch")

Sweden 1986

Sixtyish philosopher Alexander (Erland Josephson) lives in a beautiful house on an island off Sweden’s Baltic coast, with English wife Adelaide (Susan Fleetwood), teenage daughter Julia (Valerie Maitesse) and young son, known only as Gossen, or “Little Man” (Tommy Kjellvqist). It’s Alexander’s birthday, and he’s visited by eccentric bicycling postman Otto (Allan Erdawll) and smug doctor Viktor (Sven Wollter), who is “carrying on” with Adelaide. Out of the blue, a nuclear war is announced on TV - the telephones and electricity are cut off, and the air is filled with the deafening roar of passing jets. All looks bleak - but then Alexander fervently prays, asking God to avert the impending apocalypse, in return offering to turn his back on his home and family, and take a vow of silence. Next morning, he wakes to find that, somehow, the threat of annihilation has been lifted - and now it’s up to him to keep his side of the bargain...

The Sacrifice is like a compendium of all the ideas (faith, role of artist, power of nature, virtue of childhood) and images (love as levitation, a boy standing by a tree) from his previous six films. As usual, there’s a baffling rush of philosophical debate, stitched together with some of the most astonishing shots in all cinema. Watching this long film is an intermittently dazzling experience, but also somewhat unsatisfying. Just how much of what we’re watching is real, and how much is Alexander’s hallucination - we’re given clues along the way, such a bicycle being parked in a certain way, only to reappear in a slightly different place later on - is open to question. In Tarkovsky’s films, dreams are nothing if not cinematic. But piecing together the director’s “intention” seems to be missing the point.

Excerpt from Neil Young's review at the Jigsaw Lounge located HERE

Posters

Theatrical Release: May 9th, 1986 - Sweden

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DVD Comparison:

Enter One - Region 3- NTSC vs. Swedish Film Institute - Region 2- PAL vs. IMAGICA (Japan)- Region 2- NTSC vs. Kino - Region 0 - NTSC vs. Artificial Eye (2 disc) - Region 2 - PAL

Big thanks to Andrey Diment for the Region 2 - PAL screen captures!

Thanks to Kimitoshi Sato for the Region 2 - NTSC screen captures.

Swedish and Supplemental framegrabs by Trond Trondsen

(Enter One - Region 3- NTSC TOP LEFT vs. Swedish Film Institute - Region 2- PAL TOP MIDDLE vs. Imagica - Region 2- NTSC- TOP RIGHT

vs.

(Kino - Region 0 - NTSC - BOTTOM LEFT vs. Artificial Eye - Region 2 - PAL - BOTTOM RIGHT)

DVD Box Covers

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Distribution

Enter One (Korea)

Region 3 - NTSC

Swedish Film Institute
Region 2 - PAL

Imagica (Japan)

Region 2 - NTSC

DVD Box Covers

Distribution

Kino Home Video

Region 0 - NTSC

Artificial Eye Film Company
Region 2 - PAL

(Swedish Film Institute - Region 2- PAL LEFT vs. Imagica - region 2- NTSC- 2nd vs. Kino - Region 0 - NTSC - 3rd vs. Artificial Eye - Region 2 - PAL - RIGHT)

Runtime

2:22:20

2:22:25 (4% PAL speedup)

approx. 2:29:00

2:22:35

2:22:30 (4% PAL speedup)

Video

1.65:1 Original Aspect Ratio
Average Bitrate: 6.71 mb/s
NTSC 704x480 29.97 f/s

1.61:1 Aspect Ratio
Average Bitrate: 6.44
PAL 720x576 25.00 f/s

1.63:1 Original Aspect Ratio
Average Bitrate: ? mb/s
NTSC 704x480 29.97 f/s

1.63:1 Original Aspect Ratio
Average Bitrate: 4.21 mb/s
NTSC 704x480 29.97 f/s

1.61:1 Aspect Ratio

16X9 enhanced
Average Bitrate: 6.36
PAL 720x576 25.00 f/s

	NOTE: The Vertical axis represents the bits transferred per second. The Horizontal is the time in minutes.
Bitrate: Enter One
Bitrate: SFI
Bitrate: Kino
Bitrate: Artificial Eye

	Enter One	SFI	Imagica	Kino	Artificial Eye
Audio	Swedish (Mono 2.0)	Swedish (Mono 2.0)	Swedish (Mono 2.0)	Swedish (Mono 2.0)	Swedish (Mono 2.0)
Subtitles	English, Korean and none	English, Swedish and none	Japanese (removable)	Yellow English, (non-removable)	English, and none
Features	Release Information: Studio: Enter One Aspect Ratio: Widescreen - 1.65:1 Edition Details: •20-page liner notes booklet with photos (text in Korean) DVD Release Date: August 5th, 2005 Transparent Keep Case Chapters 12	Release Information: Studio: Swedish Film Institute Aspect Ratio: Widescreen - 1.63:1 Edition Details: • Slideshow, Memories of Tarkovskij, is narrated by Adam Stone • 'Directed by Andrei Tarkovsky' documentary • Filmographies DVD Release Date: January 30th, 2004 Keep Case Chapters 18	Release Information: Studio: Imagica Aspect Ratio: Widescreen - 1.63:1 Edition Details: • It contains music, poster and trailer sections. Note on St Matthew Passion translation of Erbarme in Japanese Poster section includes three items. Two critics wrote liner notes for the disk, one made detailed biographies for main personages. the other on music. DVD Release Date: March 25th, 2002 Keep Case Chapters 16	Release Information: Studio: Kino Home Video Aspect Ratio: Widescreen - 1.63:1 Edition Details: •Double Feature: *The Sacrifice* (Letterboxed 1.66:1, 145 min.) and the documentary *Directed By Andrei Tarkovsky* (Full Frame, 101 min.) - 11 Chapters DVD Release Date: March 7th, 2000 Keep Case Chapters 12	Release Information: Studio: Artificial Eye Film Company Aspect Ratio: Widescreen anamorphic - 1.61:1 Edition Details: Disk 1: • Main feature (16:9, cover incorrectly states '4:3 letterbox') - 2.22.37 Disk 2: • 'Directed by Andrei Tarkovsky' documentary (15 chapters, fixed English subtitles where required) (4:3 fullscreen) -1.37.23 • Image Gallery • Production Notes • Filmographies DVD Release Date: 28 October, 2002 Transparent Keep Case Chapters 16

Comments

ADDITION: (ENTER ONE - Region 3- NTSC) - October 05' - This Enter One transfer is quite good, excepting that it is not progressive and is most likely from a PAL source. It has a bit of a greenish haze, but its seems as sharp as the SFI edition. The subtitles are weak, but not fatally so - only a few instances of incorrect spelling or grammar (see below). Nothing really changes in our voting but I am not as disappointed with the Enter One as I was expecting to be, although the audio is weak not quite as flawed as in the ENTER ONE Nostalghia.

NOTE: Please excuse that this is an older comparison and some of the captures are not exact frames. It still should be fairly obvious as to the caliber of each image's release.

****

ADDITION (SFI Region 2- PAL ) - February 2004
It's great to see a new and superior transfer come along. The Swedish Film Institutes sharpness is easily the best, but where they really shine is in the contrast department. This is the first time this film has looked this theatrically accurate on DVD. I see no apparent digital manipulation, saturation or contrast boosting that is evident on all the other releases. It seems to have no significant cropping either. The Extras include the "Directed by Andrei Tarkovsky" documentary as well as a slideshow entitled "Memories of Tarkovskij". This is our choice as the definitive version on DVD at present. None of the other three releases are acceptable. The best one of the poorer lot is in my opinion the Japanese Cinefil/Imagica release, with its faithful representation of color and contrast. (See this Nostalghia.com article for a more complete discussion.)

Gary Tooze

Kino version is video sourced, that is easily spotted. There are numerous instances of analogue chroma noise: look at the tree-top on capture #1, or the table-cloth on capture #4 (to the right of the question mark), or the table-cloth on the last capture, under the back of the chair.

Andrey Diment

What Gary has said above is correct; the SFI release is the one to own. There is one big problem with the Japanese disc: it is Letterboxed. Some will also regret the fact that it does not come with English subtitles. Some Scandinavians among us appreciate the fact that the Japanese subtitles can be turned off, as the English subtitles on the other NTSC release (Kino) are ingrained. The Kino release is Letterboxed as well, and suffers from the same brightness/contrast problems that mar the Artificial Eye release. The Artificial Eye disc is the only anamorphic presentation of the film currently available on DVD. Its video encoding is however seriously flawed, resulting in a blurry image. Compare for example the caption beneath the icon painting of Saint Paraskeva Pjatnitsa shown below. Neither caption is actually readable, of course, but the Artificial Eye version at the bottom is clearly rendered more blurry than the Kino version immediately above. The Nostalghia.com article referenced above goes into more detail on this issue.

Trond Trondsen of Masters of Cinema.org.

Subtitle Samples

(Enter One - Region 3- NTSC TOP LEFT vs. Swedish Film Institute - Region 2- PAL BOTTOM

DVD Menus

(Enter One - Region 3- NTSC LEFT vs. Swedish Film Institute - Region 2- PAL MIDDLE vs. Imagica - region 2- NTSC- RIGHT )

(Kino - Region 0 - NTSC - LEFT vs. Artificial Eye - Region 2 - PAL - RIGHT)

Screen Captures

(Enter One - Region 3- NTSC TOP vs. Swedish Film Institute - Region 2- PAL 2nd vs. Imagica - region 2- NTSC- 3rd vs. Kino - Region 0 - NTSC - 4th vs. Artificial Eye - Region 2 - PAL - BOTTOM)

TV transmission sample from NHK BS broadcast of the date:10PM, August 20, 1993.

It was aired as a part of "Kurosawa Selection: 100 movies I love."
It came in 8th.

Note cropping on either side.