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Wandering in the Australian outback, three young individuals survive because of an Aborigine’s abilities to extract food, water, and medical needs from the surrounding arid environment. Communication is the major issue, although more for the girl than for her younger brother. His young age enables him to disregard unnecessary etiquette and detail, and cut directly to the issue at hand. This communication bridge between the older pair—the native boy and the “city” girl—becomes their greatest adversity. As her mind wanders back to swimming naked together, it again reinforces Roeg’s subtle theme of the “hustle and bustle” of civilization versus idyllic pastoral innocence. Her appreciation of that time is purposely indecipherable. Does she regret the events that transpired? Pine for the communion with nature to return? Mark this as her maturity, her ascent to womanhood? Regardless, she’s recalling a mysterious and defining moment in her life. The whole film is no longer represented as a passing instance, but as a crucial yet tumultuous juncture in her life. The final moments of Walkabout define those days as something more than desperate survival-it brings the whole experience back to viewers and impacts them on a more personal level...
Gary Tooze
The Criterion Digital Versatile Disc is on the list of Top 100 DVDs!
Posters
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Theatrical Release: January, 1968 - Italy
Reviews More Reviews DVD Reviews
DVD Comparison:
MC One (Germany) - Region 2- PAL vs. Criterion - Region 0 - NTSC vs. Madman Entertainment - Region 0 - PAL
(MC One - Region 2- PAL LEFT vs. Criterion - Region 0 - NTSC - MIDDLE vs. Madman - Region 0 - PAL - RIGHT)
| DVD Box Covers |
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| Distribution |
MC One Classic Region 2- PAL |
Criterion Collection Spine #10 Region 0 - NTSC |
Madman
Region 0 - PAL |
| Runtime | 1:36:12 (4%PAL Speedup) | 1:40:21 | 1:40:12 (no PAL Speedup) |
| Video |
1.74:1
Widescreen (cropped) Average Bitrate: 7.16 PAL 720x576 25.00 f/s |
1.77:1 Original Aspect Ratio |
1.66:1
Widescreen (cropped) |
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NOTE: The Vertical axis represents the bits transferred per second. The Horizontal is the time in minutes. |
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Bitrate:
MC One
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| Bitrate:
Criterion
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| Bitrate:
Madman |
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| Audio | English (Dolby Digital 2.0 Mono), DUB: German (Dolby Digital 2.0 Mono) | English (Dolby Digital 2.0 Mono), English Audio Commentary Dolby Digital 2.0 |
English Dolby Digital 2.0 mono, English Audio Commentary Dolby Digital 2.0 |
| Subtitles | German and none | English and none | None |
| Features |
Release Information:
Aspect Ratio:
• Biographies-Crew • Trailers
• DVD Credits DVD
Release Date: June 5th, 2005 Chapters 28 |
Release Information: Studio: Home Vision / Criterion Aspect Ratio: Widescreen - 1.70:1 Edition Details:
• Audio commentary by Nicolas Roeg and Jenny Agutter
DVD
Release Date: May 5th, 1998 Chapters
28
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Release Information: Studio: Madman Aspect Ratio:
• Theatrical Trailer-2 same as Criterion • Biographies-Crew • Roger Ebert Essay, • Trailer-The Bank; Mullet
DVD
Release Date: Dec 10th, 2000 Chapters 28 |
| Comments | ADDITION - MC One Classics (16X9) June 2005 - Being
one of my favorite films I have anxiously awaited an anamorphic DVD
edition. I had never heard of MC One and did not have high expectations,
but I very happy. Frankly,
I think the MC One edition may have the most accurate colors of the 3
releases. The Criterion has some some contrast manipulation and very
slight edge enhancement is noticeable - this shows in the form of slightly
brighter (almost saturated) picture. Although the Criterion initially
appears sharper - I don't think it has that much of an edge over the MC
One. For colors the pool and desert scenes (see below) give the best
indication of the differences of the three editions - each gaining in the
color richness as your eyes wander down OR colors seem more faded as your
eyes rise. It's very hard to know what colors are most akin to the
theatrical presentation. Riding the fence we will state that the Criterion
may be better for tube viewers and the MC One superior for widescreen or
any projection systems. I'll do so more research but I still lean towards
the MC One edition for the best color palette.
The MC One is a little cropped on the left and bottom edges, but is otherwise the correct ratio. It is also a very clean print. As we come up with more information I will post it here. ***** Ohhh boy I'm mad.
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DVD Menus
(MC One Classics - Region 2- PAL)
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(Criterion
- Region 0 - NTSC - LEFT vs. Madman - Region 0 - PAL - RIGHT)
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Screen Captures
(MC One - Region 2- PAL TOP vs. Criterion - Region 0 - NTSC - MIDDLE vs. Madman - Region 0 - PAL - BOTTOM)
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(MC One - Region 2- PAL TOP vs. Criterion - Region 0 - NTSC - MIDDLE vs. Madman - Region 0 - PAL - BOTTOM)
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(MC One - Region 2- PAL TOP vs. Criterion - Region 0 - NTSC - MIDDLE vs. Madman - Region 0 - PAL - BOTTOM)
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(MC One - Region 2- PAL TOP vs. Criterion - Region 0 - NTSC - MIDDLE vs. Madman - Region 0 - PAL - BOTTOM)
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(MC One - Region 2- PAL TOP vs. Criterion - Region 0 - NTSC - MIDDLE vs. Madman - Region 0 - PAL - BOTTOM)
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(MC One - Region 2- PAL TOP vs. Criterion - Region 0 - NTSC - MIDDLE vs. Madman - Region 0 - PAL - BOTTOM)
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(MC One - Region 2- PAL TOP vs. Criterion - Region 0 - NTSC - MIDDLE vs. Madman - Region 0 - PAL - BOTTOM)
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(MC One - Region 2- PAL TOP vs. Criterion - Region 0 - NTSC - MIDDLE vs. Madman - Region 0 - PAL - BOTTOM)
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(MC One - Region 2- PAL TOP vs. Criterion - Region 0 - NTSC - MIDDLE vs. Madman - Region 0 - PAL - BOTTOM)
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Report Card:
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Image: |
MC One |
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Sound: |
MC One |
| Extras: | Criterion / Madman |
| Menu: | - |
| DVD Box Covers |
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| Distribution |
MC One Classic Region 2- PAL |
Criterion Collection Spine #10 Region 0 - NTSC |
Madman
Region 0 - PAL |
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Gary Tooze 1775 Rowntree Court Mississauga, Ontario, L4W 4V3 CANADA |
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