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directed by Charles Band
USA 1997

 

Rather flimsily-scripted and unevenly acted, THE CREEPS is redeemed by a touching performance by Phil Fondacaro (MERIDIAN and TV's SEINFELD) as well as a climactic argument about our cultural need for heroes and monsters (as well as the fangasmic name-checking of Jess Franco, Italian exploitation, Hong Kong crime films, and THE BAD LIEUTENANT by a filmmakers and actors who sound like they know what they're talking about). When the rare books department's new librarian Anna Quarrels (Rhonda Griffin, NAKED FEAR) discovers that a man masquerading as a university professor has made off with Mary Shelley's handwritten manuscript for "Frankenstein", she tries to save her professional career by hiring new private detective/video store manager David Raleigh (Justin Lauer, MIDNIGHT TEMPTATIONS) to track down the culprit. David gets a hit off the database and discovers the thief's identity to be Dr. Winston Berber (Bill Moynihan, JUGULAR WINE), a genius suspected in a handful of strange thefts. He is unable to discover Berber's current whereabouts, but Berber - unaware that he is being investigated - returns to the library to steal the first edition of Bram Stoker's "Dracula". Anna tries to stop him and is kidnapped by Berber who plans to use her as a sacrifice in conjunction with his "archetype inducer" with which he plans to bring a quartet of legendary monsters to life (pretty much as Anna quips to get back at all of the people who were mean to him). David rescues Anna at the last minute, which causes the machine to produce pint-sized versions of Dracula (Fondacaro), the Wolfman (Jon Simanton, MEN CRY BULLETS), the Mummy (Joe Smith), and Frankenstein's monster (Thomas Wellington). After appraising them of their formerly fictional status, Berber informs them that the only way to correct their height issues is to sacrifice Anna since she her "vital statistics" figured into the original equation he used to create them. While Berber tries to fix his machine, the quartet of mini monsters purse Anna and David, accidentally taking Anna's blond Amazon boss (Kristin Norton, MONKEYBONE) by mistake (and for some nudity that is appreciated although strangely out of tone with the rest of the film).

Eric Cotenas

Poster

Theatrical Release: 16 December 1997 (USA)

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DVD Comparison:

Full Moon - Region 0 - NTSC vs. 88 Films - Region 0 - PAL

Big thanks to Eric Cotenas for all the Screen Caps!

(Full Moon - Region 0 - NTSC - LEFT vs. 88 Films - Region 0 - PAL - RIGHT)

DVD Box Covers

 

 

 

 

Distribution

Full Moon

Region 0 - NTSC

88 Films
Region 0 - PAL
Runtime 1:14:42 1:14:51
Video

1.33:1 Original Aspect Ratio
Average Bitrate: 5.6 mb/s
NTSC 720x480 29.97 f/s

1.33:1 Original Aspect Ratio
Average Bitrate: 4.56 mb/s
PAL 720x576 25.00 f/s

NOTE: The Vertical axis represents the bits transferred per second. The Horizontal is the time in minutes.

Bitrate:

 

Full Moon

 

Bitrate:

 

88 Films

 

Audio English Dolby Digital 2.0 stereo

English Dolby Digital 2.0 stereo

Subtitles none none
Features Release Information:
Studio: Full Moon

Aspect Ratio:
Fullscreen - 1.33:1

Edition Details:
• VideoZone making-of (4:3; 23:29)
• Full Moon Merchandise Promo (4:3; 1:29)
• Cast Filmographies

DVD Release Date: 28 July 1998
Amaray

Chapters 24
 

Release Information:
Studio: 88 Films

Aspect Ratio:
Fullscreen - 1.33:1

Edition Details:
• VideoZone making-of (4:3; 23:31)
• Trailer (4:3; 1:30)
• 1981 bonus film 'The Best of Sex and Violence' (Ken Dixon; 1:16:09)
• Full Moon Trailer Park

 

DVD Release Date: January 27th, 2014
Amaray

Chapters 8

 

Comments

Both discs are sourced from clean nineties video masters, but 88 Film's transfer is an NTSC-PAL conversion with jerky movements whenever the camera pans. The US disc is the sharper, minutely more detailed one in this case. The Dolby Digital 2.0 stereo tracks are of similar quality.

According to IMDb, THE CREEPS was shot in 35mm in StereoVision 3D, but neither DVD edition compared here is in 3D (although there are two 3D DVD editions available stateside from Full Moon themselves and Razor3D). StereoVision was a 2.35:1 - the only Full Moon production shot in this aspect ratio - process with two images captured on each frame (one on the top two perforations and the other on the bottom two), and both transfers do seem rather severely cropped (before I found out about the original aspect ratio, I just assumed the fullscreen framing was just aggressively "arty"). If the aforementioned 3D DVD editions are new transfers and not some post-produced monstrosity, then they may offer the only way to see the film in its original aspect ratio.

The UK disc does include in its favor an entire bonus feature, Ken Dixon's 1981 THE BEST OF SEX AND VIOLENCE (also available on disc domestically from Full Moon Direct) - from a considerably more worn tape master - in which John Carradine makes caustically introduces a number of exploitation film trailers ("The film was released in 1971. The producer will be released in 1990"). A theatrical release, the film's credits and most of the trailers are noticeably cropped from 1.85:1.

Both discs feature the film's VideoZone making-of featurette while the UK disc also includes the film's trailer and trailers for other Full Moon titles.

 - Eric Cotenas

 


DVD Menus
(
Full Moon - Region 0 - NTSC - LEFT vs. 88 Films - Region 0 - PAL - RIGHT)
 

 

 


 

Screen Captures

(Full Moon - Region 0 - NTSC - TOP vs. 88 Films - Region 0 - PAL - BOTTOM)

 


(Full Moon - Region 0 - NTSC - TOP vs. 88 Films - Region 0 - PAL - BOTTOM)

 


(Full Moon - Region 0 - NTSC - TOP vs. 88 Films - Region 0 - PAL - BOTTOM)

 


(Full Moon - Region 0 - NTSC - TOP vs. 88 Films - Region 0 - PAL - BOTTOM)

 


(Full Moon - Region 0 - NTSC - TOP vs. 88 Films - Region 0 - PAL - BOTTOM)

 


(Full Moon - Region 0 - NTSC - TOP vs. 88 Films - Region 0 - PAL - BOTTOM)

 


(Full Moon - Region 0 - NTSC - TOP vs. 88 Films - Region 0 - PAL - BOTTOM)

 


 

Report Card:

Image:

Full Moon

Sound:

Draw

Extras: 88 Films
Menu: Draw

 
DVD Box Covers

 

 

 

 

Distribution

Full Moon

Region 0 - NTSC

88 Films
Region 0 - PAL

 




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