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(aka "Dear Martha" or "The Lonely Hearts Killers")
directed by Leonard Kastle and Donald Volkman
USA 1969
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Martha Beck (Shirley Stoler) is sullen, overweight and heartbreakingly alone. Desperate for affection, she joins Aunt Carrie’s Friendship Club and strikes up a correspondence with Ray Fernandez (Tony Lo Bianco), a suave, charismatic smooth talker who could be the man of her dreams—or a wicked con artist bound for trouble. Based on a true story and filmed in documentary-style black and white, The Honeymoon Killers is a stark portrayal of the desperate lengths to which a lonely heart will go to find true love, from brutally immoral killings to a passion that transcends all bounds. ***
The movie follows the killers
from just before their meeting (through a lonely hearts club
correspondence) until just before their trial. Although it
takes only the slightest (and most essential) liberties with
the facts of the Beck-Fernandez case, "The Honeymoon
Killers" is basically a fiction film of a type virtually
unknown in recent years, except as transmuted in the
myth-making romanticism of, say, a "Bonnie and Clyde."
Within the limits of its type it is one of the best and,
curiously, most beautiful American movies in recent
years.... |
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Theatrical Release: February 4th, 1970 (USA)
Reviews More Reviews DVD Reviews
DVD Review: The Criterion Collection (Spine # 200) - Region 0 - NTSC
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CLICK to order from:
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| Distribution |
The Criterion Collection Region 0 - NTSC |
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| Runtime | 1:47:40 | |
| Video |
1.85:1 Original Aspect Ratio
16X9 enhanced |
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NOTE: The Vertical axis represents the bits transferred per second. The Horizontal is the time in minutes. |
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| Audio | English (Dolby Digital 1.0) | |
| Subtitles | English, None | |
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Release Information: Studio: The Criterion Collection Aspect Ratio:
Edition Details: Chapters 21 |
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| Comments |
When a film is championed by the likes of Michelangelo Antonioni and François Truffaut (with the latter calling it the best American film that he had ever seen), you can be reasonably sure that you're in store for a special work of art. Thankfully, Leonard Kastle's "The Honeymoon Killers" does not disappoint. While it occupies the true-life crime drama genre, the film, which tells the story of the cross country con/killing spree of Martha Beck and Ray Fernandez, is less interested in the lurid details of the murders than it is in the motivations and intricacies of the relationship between its two protagonists. What we get then is something far less slick and stylized than Arthur Penn's then recent "Bonnie and Clyde" and instead a film that perfectly balances the macabre and the mundane, noir and the absurd; in short, a masterpiece. While it won't be
mistaken for one of their best efforts, Criterion's anamorphic
transfer of the film does a nice balancing act of cleaning up
the image, while maintaining the original gritty look of
Kastle's vision. The black and white cinematography generally
looks quite beautiful here, with the pulpy and somewhat grainy
image looking true to the presentation that theatergoers
probably got in 1970. There's little visible damage and no
artifacting to speak of. On the whole, pretty darn good. This is one of Criterion's most criminally underrated packages, and has what are probably the loveliest menus in the collection. Do yourself a favor and pick it up. Very, very highly recommended. |
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