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S E A R C H D V D B e a v e r |

(aka 'Place Aux Jeunes' or 'The Years Are So Long')
Directed by
Leo McCarey
USA 1937
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Make Way for Tomorrow, Orson Welles
told Peter Bogdanovich: “Oh my God that’s the saddest movie ever made.” Long
unavailable for home viewing, Leo McCarey’s personal favourite among all his
films (which included The Awful Truth and An Affair to Remember) is sad, yes,
but it also stands as cathartic affirmation of the dignity of human feeling, and
in the testament of such achieves a subtle complexity of characterization on par
with Renoir, Ford, and Hawks. *** Leo McCarey’s Make Way for Tomorrow is one of the great unsung Hollywood masterpieces, an enormously moving Depression-era depiction of the frustrations of family, aging, and the generation gap. Victor Moore and Beulah Bondi headline a cast of incomparable character actors, starring as an elderly couple who must move in with their grown children after the bank takes their home, yet end up separated and subject to their offspring’s selfish whims. An inspiration for Ozu’s Tokyo Story, Make Way for Tomorrow is among American cinema’s purest tearjerkers, all the way to its unflinching ending, which McCarey refused to change despite studio pressure. *** With the possible exception of Yasujiro Ozu's Tokyo Story, this 1937 drama by Leo McCarey is the greatest movie ever made about the plight of the elderly. (It flopped at the box office, but when McCarey accepted an Oscar for The Awful Truth, released the same year, he rightly pointed out that he was getting it for the wrong picture.) Victor Moore and Beulah Bondi play a devoted old couple who find they can't stay together because of financial difficulties; their interactions with their grown children are only part of what makes this movie so subtle and well observed. Adapted by Vina Delmar from Josephine Lawrence's novel Years Are So Long, it's a profoundly moving love story and a devastating portrait of how society works, and you're likely to be deeply marked by it. Hollywood movies don't get much better than this. Excerpt from Jonathan Rosenbaum's capsule at the Chicago Reader located HERE |
Theatrical Release: May 9th, 1937
Reviews More Reviews DVD Reviews
Comparison:
BAC Video - Region 2 - PAL vs. Criterion - Region 1 - NTSC vs. Masters of Cinema - Region 'B' - Blu-ray
BAC Video - Region 2 - PAL LEFT vs. Criterion - Region 1 - NTSC RIGHT
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CLICK to order from: Note Cover listed at Amazon (left) is different than actual (below)
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| Distribution | BAC Video - Region 2 - PAL | Criterion - Region 1 - NTSC | Masters of Cinema - Spine # 15 - Region 'B' - Blu-ray |
| Runtime | 1:27:39 (4% PAL speedup) | 1:31:57 | 1:31:57.720 |
| Video | 1.33:1
Aspect Ratio Average Bitrate: 7.4 mb/s PAL 720x576 25.00 f/s |
1.33:1
Aspect Ratio Average Bitrate: 8.22 mb/s NTSC 720x480 29.97 f/s |
1080P / 23.976 fps Dual-layered Blu-ray Disc Size: 30,046,926,845 bytes Feature: 20,822,403,072 bytesVideo Bitrate: 26.98 MbpsCodec: MPEG-4 AVC Video |
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NOTE: The Vertical axis represents the bits transferred per second. The Horizontal is the time in minutes. |
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| Bitrate: PAL |
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| Bitrate: Criterion |
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| Bitrate: Blu-ray |
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| Audio | English (Dolby Digital 2.0) | English (Dolby Digital 1.0) | DTS-HD Master Audio
English 1566 kbps 2.0 / 48 kHz / 1566 kbps / 16-bit (DTS Core: 2.0 / 48 kHz
/ 1509 kbps / 16-bit) |
| Subtitles | French (player generated) | English, none | English, none |
| Features |
Release Information: Edition Details: • 15
minute introduction/documentary by Bernhard Eisenschitz (in French - no
subtitles) |
Release Information: Edition Details:
• Tomorrow, Yesterday, and Today, a new video interview featuring
filmmaker Peter Bogdanovich discussing the career of Leo McCarey and
Make Way for Tomorrow (19:52) |
Release Information: 1080P / 23.976 fps Dual-layered Blu-ray Disc Size: 30,046,926,845 bytes Feature: 20,822,403,072 bytesVideo Bitrate: 26.98 MbpsCodec: MPEG-4 AVC Video Edition Details:
• Gorgeous high-definition transfer of the film in its original 1.37:1
aspect ratio |
| Comments: |
NOTE: The below Blu-ray captures were taken directly from the Blu-ray disc. ADDITION: Masters of Cinema - Region 'B' - Blu-ray - October 2010: Masters of Cinema have done this masterpiece up right with a 1080P transfer showcasing Make Way For Tomorrow's grain structure. Criterion have lessened a few surface scratches and boosted black levels a shade but in-motion the UK Blu-ray is much more consistent in the film qualities that aficionados seek. The new format transfer is brighter and shows more detail - notable in fabrics of clothes.It really comes down to mathematics and the picture-boxed Criterion is 501 pixels where the dual-layered Blu-ray is, more than double at, 1080. Your player will expand the digitally transferred image to the size of your system screen (digital video is imply a string of bitmaps). With the Criterion image being less than half the size - the visuals develop more compression artefacts. Hence, the UK Blu-ray is smoother in-motion. Toggle software or browsers between these two images; Criterion and MoC. This is not altogether fair as your player will do a better job of interpreting the Criterion than my software - but hopefully this can give the impression of the superiority of HD resolution over SD (in this case picture-boxed SD which has an even lower resolution for the image proper). This would also be dependant on your system - the larger - the more apparent the improvement.MoC have upgraded the audio to a lossless DTS-HD Master 2.0 mono at 1566 kbps. The inherent defects still exist but audio does appear to have a more resonant quality. There are optional English subtitles and my Momitsu has identified it as being a region 'B'-locked. Video extras duplicate the Criterion with a 20-minute, video interview featuring filmmaker Peter Bogdanovich - recorded in 2009 - discussing the career of Leo McCarey and Make Way for Tomorrow. The other piece has critic/writer Gary Giddins (Warning Shadows: Home Alone With Classic Cinema). He he talks about McCarey’s artistry and the political and social context of the film also for about 20-minutes. Masters of Cinema have included a lengthy booklet featuring a new essay on the film by writer and Library of America editor Geoffrey O’Brien, and an excerpt from Josephine Lawrence’s source novel Years Are So Long. An important classic looking and sounding as good as it ever has for your home theater appreciation. Good grief what a film experience... and now better than ever. STRONG recommendation! *** ADDITION: Criterion - Region 1 - NTSC - February 2010: Cinephiles were ecstatic that Criterion included this magnificent title for a spine #. It's a film that frequently leaves me aching. Criterion's transfer is pictureboxed - with a black border circumventing the frame - marginally limiting the resolution. For a detailed description of picture-boxing see our Kind Heart and Coronets review HERE. Comparatively the Criterion image is a significant improvement over the hazier, greenish with muddier contrast, and horizontally stretched image of the BAC French release from 2008. The Criterion shows grain and the improvement is greater than I was expecting. Light scratches are pushed beneath the surface. In motion this looks more heavily textured and just grand. Detail is dramatically superior and there is much more information in the frame. I consider this an extremely important release for Criterion and, aside from some minor flickering contrast, my only disappointment is that it didn't make it to Blu-ray from the esteemed distributors. I'm still delighted with this transfer and it will have a revered place in my library. Audio, like on the BAC, has some weakness but with the film approaching it's 75th year - it is hard to complain. Significant pops, hiss or other distracting deficiencies have been removed or lessened so as not to impinge on the viewing experience. Criterion, as typical, offer removable English subtitles. Extras on the NTSC disc are excellent although there are only two digital supplements and no commentary. Tomorrow, Yesterday, and Today is a new, 20-minute, video interview featuring filmmaker Peter Bogdanovich discussing the career of Leo McCarey and Make Way for Tomorrow. It was recorded specifically for Criterion in Los Angeles, 2009. The other interview has critic/writer Gary Giddins (Warning Shadows: Home Alone With Classic Cinema). He he talks about McCarey’s artistry and the political and social context of the film also for about 20-minutes. Criterion have included a 32-page liner notes booklet featuring new essays by critic Tag Gallagher and filmmaker Bertrand Tavernier, and an excerpt from late film scholar Robin Wood’s 1998 piece “Leo McCarey and ‘Family Values’”. One Beaver's easiest recommendations - as we gave the nod to the BAC - we surely endorse a purchase of the, superior-on-every-front, Criterion package. My favorite DVD of this early year. Our highest recommendation! *** ON THE FRENCH BAC DVD: The image quality is what it is and, as you can judge by the screen captures below, remains quite imperfect. However, to be able to have the film in one's DVD library at all, far outweighs the inferiorities. Looking to be taken from an analog source the transfer (decent bitrate) is both dual-layered and progressive. Contrast is not strong (fluctuates) but black levels have some infrequent depth. The French subtitles are player generated and can be removed on some players. If not people may re-burn - see HERE. Audio is perhaps even a notch below the video quality but dialogue is audible enough for the film to reach you. The disc is coded for region 2 in the PAL standard. The supplements - a 15 minute talk by Bernhard Eisenschitz - is only in French with no subtitle options - but there is a stills gallery. The DVD is strongly recommended for the depth of emotion the film evokes and it, personally, ranks as one of the best pieces of pure cinema I've seen in years. |
French Package
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DVD Menus
BAC Video - Region 2 - PAL LEFT vs. Criterion - Region 1 - NTSC RIGHT
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Masters of Cinema - Region 'B' - Blu-ray
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CLICK EACH BLU-RAY CAPTURE TO SEE ALL IMAGES IN FULL 1920X1080 RESOLUTION
Screen Captures
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1) BAC Video - Region 2 - PAL TOP 2) Criterion - Region 1 - NTSC MIDDLE 3) Masters of Cinema - Region 'B' - Blu-ray BOTTOM |
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1) BAC Video - Region 2 - PAL TOP 2) Criterion - Region 1 - NTSC MIDDLE 3) Masters of Cinema - Region 'B' - Blu-ray BOTTOM |
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1) BAC Video - Region 2 - PAL TOP 2) Criterion - Region 1 - NTSC MIDDLE 3) Masters of Cinema - Region 'B' - Blu-ray BOTTOM |
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1) BAC Video - Region 2 - PAL TOP 2) Criterion - Region 1 - NTSC MIDDLE 3) Masters of Cinema - Region 'B' - Blu-ray BOTTOM |
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1) BAC Video - Region 2 - PAL TOP 2) Criterion - Region 1 - NTSC MIDDLE 3) Masters of Cinema - Region 'B' - Blu-ray BOTTOM |
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1) BAC Video - Region 2 - PAL TOP 2) Criterion - Region 1 - NTSC MIDDLE 3) Masters of Cinema - Region 'B' - Blu-ray BOTTOM |
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1) BAC Video - Region 2 - PAL TOP 2) Criterion - Region 1 - NTSC MIDDLE 3) Masters of Cinema - Region 'B' - Blu-ray BOTTOM |
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1) BAC Video - Region 2 - PAL TOP 2) Criterion - Region 1 - NTSC MIDDLE 3) Masters of Cinema - Region 'B' - Blu-ray BOTTOM |
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| DVD Box Cover |
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CLICK to order from: Note Cover listed at Amazon (left) is different than actual (below)
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| Distribution | BAC Video - Region 2 - PAL | Criterion - Region 1 - NTSC | Masters of Cinema - Spine # 15 - Region 'B' - Blu-ray |
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Gary Tooze
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Thank You!