Review by Leonard Norwitz
Studio:
Theatrical: New Line Productions & Ingenious Film
Partners
Blu-ray: New Line Home Entertainment
Disc:
Region: A
Runtime: 113
Chapters: 20
Size: 50/25
Case: Standard Blu-ray case
Release date: April 29th, 2008
Video:
Aspect ratio: 2.35:1
Resolution: 1080p
Video codec: VC-1
Audio:
Feature Film: English 7.1 DTS HD Master Lossless.
Bonus Features: English DTS 5.1, English DTS 2.0
Subtitles:
Feature: English SDH, Spanish. Extras: English SDH,
Spanish (on selected items), none
Extras:
• Disc one: Audio Commentary with Director/Writer
Chris Weitz
• Disc two: Origins: The Novel. The Adaptation.
Oxford.
• Behind-the-Scenes: Finding Lyra Belacqua. Music.
Costumes. Production Design. The Launch.
• Lyra's World: Armoured Bears. The Alethiometer.
Daemons.
• Exclusive to Blu-ray: Enhanced Visual Commentary
(disc 1)
The Film:
The Movie : 6.5
Released on Blu-ray by New Line only two weeks ahead
of Disney's
The Chronicles of Narnia,
The Golden Compass
seems poised to compete in and capitalize on an
already saturated market of fantasy children's
books, such as The Polar Express, Lemony Snicket's A
Series of Unfortunate Events, Bridge to Terabitha,
et al. And why not? There is an enormous potential
for CG special effects, often incorporating
fantastical beasts into live action. I remember
being quite impressed with Narnia in the theatre in
that respect. Given a smart adaptation – in terms of
both storyline and dialogue – compelling
performances by the children, eye popping production
design and seamless effects, the potential for a
successful aftermarket merchandizing blitz or quite
possibly even good art, is palpable. To the extent
that there is a religious subtext in Narnia, it is
not really necessary to make it apparent in the
screenplay. Even so, the adaptation sidestepped
those questions in favor of a titanic struggle
between Good & Evil and a war to end all wars. On
the other hand, even if the exploration from the
original novel about the nature of God and Religion
is ignored, a minimal understanding of the
complexities of Pullman's metaphysics in The Golden
Compass, are essential if one is to make sense of
the concept of parallel universes or the need for
animal demons that closely accompany its humans.
Writer/director Chris Weitz, whose best work to date
is undoubtedly About a Boy, does a serviceable job,
even if his text is parsed nearly to the point of
sapping its humanity. Instead of such spiritual
concerns, what Weitz does offer is a fairly
absorbing, if episodic, adventure that fails its
otherwise jaw-dropping visuals only in the final
battle. The plot involves a plucky, tomboyish girl,
Lyra Belacqua (Dakota Blue Richards in her first
film role), an orphan, possibly, of about 12, who
lives at a kind of boarding school (think: an Oxford
prep school) where she is watched over by its
scholars and the occasional visit by her uncle, Lord
Asriel (Daniel Craig - smirking, but not licensed to
kill). Asriel's present visit is to get financing
for a private expedition to the frozen north where
he expects to find a solution to the question of
what connects parallel universes (would you believe:
Dust!), a inquiry that the Magisterium would as soon
not be addressed, let alone answered. (There are
touches of The Name of the Rose here.)
In the midst of inexplicable kidnappings of the
local children, enters the seductive Mrs. Coulter
(Nicole Kidman, who always works well as a blonde)
who endeavors to keep Lyra close, believing that she
might be an important cog in this drama, but the
girl, sensing danger, escapes with a truth-telling
Golden Compass. Along the way, with the aid of a
giant, armored, white bear named Iorek Byrnison and
an awesomely moustachioed pilot, Lee Scouresby (Sam
Elliott – who else!) and others, Lyra learns what
has become of the children and sets about on an
episodic journey to the ice worlds of the north to
rescue them. This summary of the plot omits one of
its more fascinating and problematic aspects: the
daemons. (I can feel my eyebrows tightening every
time I come across one of Pullman's spelling
contrivances, which abound in this story and pale in
their juvenile comparison to Tolkein's authoritative
imaginations.) These creatures are shape shifters
for children, but for adults, have settled into a
form that represents their true nature. In any case,
the daemon is the physical manifestation of the
soul, and can be seen flitting about, or
investigating this or that crook or nanny – rarely
very far from their corresponding human. They also
speak (in some familiar voiceovers) and dialog with
their human forms. And they are vulnerable.
Image:
Image : 9 (9~9.5/9)
The score of 9 indicates a relative level of
excellence compared to other Blu-ray DVDs. The score
in parentheses represents: first, a value on a
ten-point scale for the image in absolute terms;
and, second, how that image compares to what I
believe is the current best we can expect in the
theatre.
There is a gossamer at work in all aspects of the
image that smoothes out facial textures, but also
lends hair, especially Nicole's, a fine quality not
often present even in high definition. Perhaps it's
all very deliberate in order to make the CG effects
appear more seamless. Or perhaps, it's just part of
the intended look of the film. Never having seen the
movie in the theatre (this confession is becoming
awkward for me) I can't say how the Blu-ray
compares, but I found the effect exactly proper and
suited the fantastic aspects of the story and
production design perfectly.
One complaint, more properly of the design than the
image per se, is of the final battle, where a lack
of color differentiation between the participants
and the general melee struck me as making little
dramatic or visual sense. It was just a big mess. I
had no idea from the action what the intention of
the Samoyeds was at this point in the story. I shall
say no more.
Audio & Music:
Audio & Music : 7/6
The audio mix is problematic, but not without its
fine points. I am recalling the moment that the
giant bear, Iorek, retrieves his armour and scares
the bejeebies out of the onlookers – me, too. Yikes,
what a sound! There's some nice bass in other
moments, too, but I couldn't shake the feeling that
it was all for – dare I say it – effect. I don't
think I would have had that feeling if it weren't
for the oddly balanced music score (too loud, too
often) and a less than well-proportioned dialogue
track.
Operations:
Operations : 7
Easy to understand, easy to navigate.
Extras:
Extras : 8
In addition to the commentary by the
director/screenwriter along with the feature film,
New Line also gives us an entire second disc chock
full of Bonus Features – 3 hours worth - that
document every conceivable aspect of the film
making, from the adaptation of the novel (including
some comment from Pullman himself), the casting
auditions for the best of all possible Lyras, all
aspects of production design from costumes, to
special effects, to the music to the design and
manufacture of the altheometer. These features are
in pretty decent HD. Also on Disc One, is an
enhanced visual commentary, a Blu-ray exclusive,
which permits a picture-in-picture adjunct to
Chris's informative commentary.
Bottom line:
Recommendation : 8
Despite a list of well-known, mostly British,
actors, it is Dakota Blue, who is in nearly every
scene, who carries the film with conviction, courage
and charm, as if she was Lyra herself. And, even
though I thought the film had problems, mostly in
the screenplay, it is very much worth seeing. Try
renting first. You might get hooked.
Leonard Norwitz
May 10, 2008