(aka 'Rokugatsu no hebi' or 'A Snake of June')
The Snake in question refers to a stalker (the role taken by Tsukamoto), who worms his way into the lives of Rinko (Kurosawa), and her husband Shigehiko (Koutari), by posting her an envelope stating it to be 'Your Husband's Secrets'. Inside are photos of Rinko masturbating. June is the rainy season in Japan, and as a result, the rain here is incessant and signifies the outlet of pent up emotions and feelings. Due to Rinko's fear of the negatives falling into the wrong hands, she goes along with the demands of her stalker. He promises to destroy the negatives only after Rinko carries out some 'tasks' he has set for her, which are mainly designed for his own selfish kicks. Rinko and her husband are seemingly happy in their loving but passionless life, but are drifting apart so slowly they barely notice it. Both are workaholics and Shigehiko also has a cleaning obsession, brought on by his fear of dirt and bodily fluids, which makes it impossible for Rinko to have an intimate relationship with him.
Theatrical Release: September 1st, 2002 - Venice Film Festival
DVD Review: Tartan - Region 2 - PAL
|DVD Box Cover||
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|Distribution||Tartan - Region 2 - PAL|
|Runtime||1:16:49 PAL (No PAL Speedup)|
Original Aspect Ratio
Average Bitrate: ? mb/s
PAL 720x576 25.00 f/s
|Audio||Japanese: DTS 5.1 Surround, Dolby Digital 5.1 Surround, Dolby Digital 2.0 Stereo|
Booklet with Justin Bowyer Film Notes
NOTE: The AR has been confirmed:
Regarding Per-Olaf's review of A Snake in June, the OAR is indeed 1.33:1. I saw this at the TIFF and own the Japanese DVD, both 1.33:1
On the cover there's 1:1.33 OAR, but I doubt it. The screen-captures of the trailer (in 1:1.85 anamorphic) are more dynamic, than the captures from the movie.
I can't find any information of the OAR of this film. We have a trailer in 1:1.85 and the film in 1:1.33. The pictures from the trailer are more dynamic than the pictures from the film.
Tartan has transferred this in the
whole camera negative size, so that the marks of glue during the cuts
between pictures are visible. Usually they are on the minor black
border's in the 1:1.37 prints. Of course during over-scan in TV this are