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directed
by Robert Siodmak
U.S.A. 1949
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Robert Siodmak was one of the most influential stylists of the 40s, helping to create, in films such as Phantom Lady and The Killers, the characteristic look of American film noir. But most of his films have nothing more than their pictorial qualities to recommend them--Criss Cross being one of the few exceptions, an archly noir story replete with triple and quadruple crosses, leading up to one of the most shockingly cynical endings in the whole genre. Excerpt from Dave Kehr's review at the Chicago Reader located HERE A film noir which has Lancaster (reprising his fall-guy role from Siodmak's earlier film The Killers) as Steve, brooding over his divorce from good-time girl Anna (De Carlo) and getting a job driving an armoured car. After finding out that his ex-wife is involved with gangster Slim Dundee (Duryea) he begins a clandestine affair with her, believing that they will be reunited once more. Obsessed with getting Anna back at any price, Steve makes plans for an armored car robbery that will include Slim. Anna and Steve plot to double-cross Slim over the takings, but as the title suggests ... A gem. |
Posters
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Theatrical Release: 12 January 1949
Reviews More Reviews DVD Reviews
DVD Review: Universal Studios - Region 1 - NTSC
Big thanks to Gregory Meshman for the Review!
| DVD Box Cover |
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CLICK to order from: |
| Distribution |
Universal Studios Region 1 - NTSC |
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| Runtime | 1:27:33 | |
| Video |
1.33:1
Original Aspect Ratio |
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NOTE: The Vertical axis represents the bits transferred per second. The Horizontal is the time in minutes. |
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Bitrate:
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| Audio | English Dolby Digital 2.0 Mono | |
| Subtitles | English (hoh), Spanish, French, none | |
| Features |
Release Information: Studio: Universal Studios Aspect Ratio:
Edition Details: Chapters 18 |
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| Comments |
Very strong image from Universal
on this under-rated Film Noir.
Excellent detail with negligible amounts of digital noise. Contrast is
exceptional - and it's always a delight to see a dark film - look dark with
no brightness manipulation. Shadow detail is pristine. Very little, if any
damage. The overall quality is a full notch above anything at this price
range. Bare bones, save an un-restored trailer, with optional English
subtitles (plus French and Spanish) - this is a highly desirable film - and
the price is a no-brainer bargain. We strongly recommend!
NOTE: In his first film an uncredited Tony Curtis is seen dancing with Yvonne DeCarlo! - Gary Tooze |
Recommended Reading in Film Noir (CLICK COVERS or TITLES for more information)
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Film Noir: An Encyclopedia Reference to the American
Style by Alain Silver, Elizabeth Ward |
The Dark Side of the Screen: Film Noir by Foster Hirsch |
Somewhere in the Night: Film Noir and the American City by Nicholas Christopher |
The Art of Noir: The Posters and Graphics from the
Classic Era of Film Noir by Eddie Muller |
The Little Black and White Book of Film Noir:
Quotations from Films of the 40's and 50's by Peg Thompson, Saeko Usukawa |
Film Noir Guide: 745 Films of the Classic Era,
1940-1959 by Michael F. Keaney |
Detours and Lost Highways: A Map of Neo-Noir by Foster Hirsch |
More Than Night: Film Noir in Its Contexts by James Naremore |
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Screen Captures
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| DVD Box Cover |
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CLICK to order from: |
| Distribution |
Universal Studios Region 1 - NTSC |
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Gary Tooze
Mississauga, Ontario, CANADA |
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