Michael Powell + Emeric Pressburger - A Matter of Life and Death - DVD Review David Niven Michael Powell Emeric Pressburger A Matter of Life and Death DVD Review David Niven Michael Powell Emeric Pressburger A Matter of Life and Death DVD Review David Niven Michael Powell Emeric Pressburger A Matter of Life and Death DVD Review David Niven Michael Powell Emeric Pressburger A Matter of Life and Death DVD Review David Niven Michael Powell Emeric Pressburger A Matter of Life and Death DVD Review David Niven Michael Powell Emeric Pressburger A Matter of Life and Death DVD Review David Niven Michael Powell Emeric Pressburger A Matter of Life and Death DVD Review David Niven Michael Powell Emeric Pressburger A Matter of Life and Death DVD Review David Niven Michael Powell Emeric Pressburger A Matter of Life and Death DVD Review David Niven Powell and Pressburger A Matter of Life and Death DVD Review Powell and Pressburger A Matter of Life and Death DVD Review Powell and Pressburger A Matter of Life and Death DVD Review Powell and Pressburger A Matter of Life and Death DVD Review Powell and Pressburger A Matter of Life and Death DVD Review Powell and Pressburger A Matter of Life and Death DVD Review Powell and Pressburger A Matter of Life and Death DVD Review Powell and Pressburger A Matter of Life and Death DVD Review Powell and Pressburger A Matter of Life and Death DVD Review Powell and Pressburger A Matter of Life and Death DVD Review Powell and Pressburger A Matter of Life and Death DVD Review Powell and Pressburger A Matter of Life and Death

(aka "Stairway to Heaven")

UK 1946

This film solidified my appeal for Powell and Pressburger films. I personally rate it as one of their finest, along with "Gone to Earth" and "I Know Where I am Going". Like "A Canterbury Tale" (1944) we have the wartime interaction of the British and a lone American. What separates and stamps a signature of P + P's films is both the dialogue and often Jack Cardiff's stunning color cinematography. This holds rank in both areas. The premise of "A Matter of Life and Death" has classically felt overtones invoking the subtle melodrama of a heartfelt romance. It is also remarkably imaginative.

May 1945: Peter Carter (David Niven) is flying back to England from a bombing raid, but the crew are bailed-out with parachutes or dead and the damaged plane will imminently crash. With what he knows as his final voice he converses with June (Kim Hunter), a young American radio operator working for the RAF. Preferring a watery grave than the fireball of a crashing plane, Peter jumps into the English Channel (no parachutes left) leaving June with his final wishes and desire to meet her... one day. The universal tumblers have jammed and Peter not only survives but the first girl he meets on the beach is June. Their initial kiss supersedes life itself.

The "highest court" however, admit their error in allowing Peter to survive and an ensuing trial in Heaven is set for a final ruling. Abraham Farlan (Raymond Massey) is the prosecutor, but luckily Peter has June's friend, Doctor Reeves (Roger Livesey) for the defense.

The much later U.S. remake "Heaven Can Wait" (1978) sillifies the pretext of this imaginative original film by Lubitsch (1943). Powell and Pressburger's is cinema that is as quintessential in their ouvré as one could ever define. The greatness is buried like layers that float away to compel more and more warmth of spirit. This folks, is a film worth seeing over and over again.out of

What was edited out of US version? - It was the scene where pilot David Niven, having jumped from a burning bomber without a parachute, is washed ashore at Saunton Sands, North Devon. It's a glorious day, and there is a vast expanse of beach and a wilderness of sandhills stretching for miles. A beautiful English morning in summer, rather unworldly, which seems appropriate for Niven who thinks he's dead and in Heaven. He gets up, strips off his flying gear, and wanders along the beach barefooted. He encounters a Labrador retriever, happy to know dogs are allowed in Heaven, then hears a tune being played on a reed pipe. There is a young naked boy seated on a sand dune, sunning himself while serenading a flock of goats. The goatherd was a Powell inspiration. The script called for a boy with some animals, who had to answer Niven's question when he thinks he's in Heaven: "Where do I report?" The director made the boy a naked boy, playing a tune composed by Allan Gray, while his goats nibbled the sparse grass on the sand dunes. Powell thought it gave the scene a certain charm, like a scene from Theocritus. Niven speaks to the boy and gradually realizes that he is not dead, that he's alive, and has been washed ashore near the very place where he will meet the love of his life. This, established in an earlier scene. Powell's charming Theocritean idyll was disliked by his American partners. The magic of the scene eluded them. They could only see sexual implications in the association of a grown man with a naked boy and rushed to protect their public. The scene was cut out in America, that's all there is to that. Never mind that there were important plot lines in it. It always riled Powell. So much for a pastoral touch of whimsy to complement a key sequence. (thanks Jordan)

Gary W. Tooze

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Theatrical Release: November 1st, 1946 (Royal Command Film Performance)

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DVD Comparison:

Carlton - Region 2 - PAL vs. EPIX - Region 2 - PAL

This is on the TOP 100 List of DVDs.

(Carlton - Region 2 - PAL LEFT vs. EPIX - Region 2 - PAL RIGHT)

DVD Box Cover
Distribution	Carlton Visual Entertainment Region 2 - PAL	EPIX Region 2 - PAL
Runtime	1:39:54	1:39:54
Video	1.37:1 Original Aspect Ratio Average Bitrate: 5.0 mb/s PAL 720x576 25.00 f/s	1.37:1 Original Aspect Ratio Average Bitrate: 5.19 mb/s PAL 720x576 25.00 f/s
	NOTE: The Vertical axis represents the bits transferred per second. The Horizontal is the time in minutes.
Bitrate: Carlton
Bitrate: EPI
Audio	English (Dolby Digital 3.0 Mono)	English (Dolby Digital 1.0), DUB: German (Dolby Digital 1.0)
Subtitles	English for the Hearing Impaired, None	English, German, None
Features	Release Information: Studio: Carlton Visual Entertainment (UK) Aspect Ratio: Original aspect Ratio 1.37:1 Edition Details: • Jack Cardiff Interview (9:59) • Bios (text pages) • Also Available (shows 4 other Carlton titles) DVD Release Date: September 14th, 1998 Keep Case Chapters: 12 (13 as opening is not recorded as a 'Chapter')	Release Information: Studio: EPIX Aspect Ratio: Original Aspect Ratio 1.37:1 Edition Details: • Text screens (in German) DVD Release Date: May 12th, 2005 Transparent Keep Case Chapters: 12

Comments:

ADDITION: EPIX (German) - PAL - November 05' - Well it appears as though my hopes for an even better transfer will not be coming to fruition in this new EPIX edition. I was told by a friend and hoping that this newer German DVD edition transfer would be from the 2000 restoration - but it is exactly the same image quality (even the same damage marks) as the original Carlton. Which is not to say the Carlton is poor - I am very pleased with it! The only differences are that the Carlton has English language menus, a 10:00 Jack Cardiff interview and optional white subtitles to the German's removable yellow and only German text extras (and a few stills and 2 posters). Other than that I thought the German edition sounded very good - quite possibly better than the Carlton, but I can't say with 100% certainty. I still suggest purchasing the Carlton - for the marvelous film and the superior extras.

****

One of the oldest DVDs from Carlton, this still holds up very well. Skin tones and colors are slightly reddened but still strong. There are some artifacts and damage marks. Contrast is above average. Relative sharpness is supported by the Technicolor glory. Audio is clear on 3-channel Mono. Clear, white subtitles, and a nice featurette involving Jack Cardiff. This is a must-have DVD, until Criterion comes out with their version (not on the books as far as I know ! )out of

Gary W. Tooze

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(Carlton - Region 2 - PAL TOP vs. EPIX - Region 2 - PAL BOTTOM)

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