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(aka "Black Sunday" or "Le masque du démon" or "Revenge of the Vampire" or "Mask of the Demon" )
directed
by Mario Bava
Italy 1960
Secluded castles, musty hallways, tree branches that reach like hands,
mist-shrouded forests, stranded travelers, duplicitous lovers who conspire to
murder, secret passageways that descend to deteriorating crypts--this is the
stuff of Italian gothic horror, one of the most exciting and atmospheric
sub-genres of film, and Mario Bava was one of its greatest practitioners.
Bava's career as a director got started only with the assistance of director
Riccardo Freda. After Freda left the set of I vampiri (American title: The
Devil's Commandment) due to a disagreement with the producers, Bava completed
the final days of filming. Until I vampiri (1957) presented the opportunity for
him to take the director's seat, Bava was content as a cinematographer and
special effects artist. He may have lacked the ambition to become a director on
his own, but Freda suspected Bava needed a little extra push. When Freda signed
on to direct Caltiki: The Immortal Monster (1959), he insisted upon Bava as his
cinematographer. Midway into the production, Freda left again, turning over the
direction to Bava. The resulting movie looks much more like Bava's movie than
Freda's.
Excerpt of Gary Johnson's review located on Image Movie Journal HERE
Posters
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Theatrical Release: 11 August 1960 - Italy
Reviews More Reviews DVD Reviews
Recommended Books on Italian and Giallo Cinema (CLICK COVERS or TITLES for more information)
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|
Italian Cinema: From Neorealism to the Present by Peter E. Bondanella |
Blood and Black Lace
Adrian Luther Smith |
Italian Film in the Light of Neorealism by Millicent Marcus |
The Haunted World of Mario Bava
Troy Howarth |
Italian Film (National Film Traditions) by Marcia Landy, David Desser |
Italian Movie Goddesses: Over 80 of the Greatest
Women in Italian Cinema by Stefano Masi, Enrico Lancia |
Italian Cinema by Maggie Gunsberg |
Art of Darkness: The Cinema of Dario Argento
(Directors S.) Chris John Gallant |
DVD Comparison:
Anchor Bay (Mario Bava Collection) - Region 1 - NTSC vs. Ripley's Home Video (Edizione Speciale) - Region 0 - PAL vs. Image - Region 1 - NTSC vs. Films sans Frontières - Region 0 - PAL
Big thanks toEric Cotenas, Gregory Meshman and Ole Kofoed for the Screen Caps!
(Anchor Bay (Mario Bava Collection) - Region 1 - NTSC TOP LEFT vs. Ripley's Home Video (Edizione Speciale) - Region 0 - PAL TOP RIGHT vs. Image - Region 1 - NTSC - BOTTOM LEFT vs. Films sans Frontières - Region 0 - PAL - BOTTOM RIGHT)
| DVD Box Covers |
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| Distribution |
Anchor Bay Region 1 - NTSC |
Ripley's Home Video Region 0 - PAL |
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Image Region 1 - NTSC |
Films
sans Frontières Region 0 - PAL |
| Distribution |
Anchor Bay Region 1 - NTSC |
Ripley's Home Video Region 0 - PAL |
Image Region 1 - NTSC |
Films
sans Frontières Region 0 - PAL |
| Runtime | 1:26:43 | 1:24:48 (4% PAL speedup) | 1:26:33 | 1:24:27 (4% PAL speedup) |
| Video |
1.66:1 Original Aspect Ratio
16X9 enhanced |
1.66:1 Original Aspect Ratio 16X9 enhanced Average Bitrate: 7.53 mb/s PAL 720x576 25.00 f/s |
1.66:1 Original Aspect Ratio
16X9 enhanced |
1.66:1
Original Aspect Ratio |
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NOTE: The Vertical axis represents the bits transferred per second. The Horizontal is the time in minutes. |
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| Bitrate: Anchor Bay |
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Bitrate: Ripley's Home Video (Edizione Speciale) |
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Bitrate:
Image
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Bitrate:
Films sans Frontières
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| Audio | English Dolby Digital 2.0 mono | Italian (Dolby Digital 5.1); Italian (Dolby Digital mono 1.0); English (Dolby Digital 5.1); English (Dolby Digital mono 1.0) | English Dolby Digital 1.0 mono |
English Dolby Digital 2.0 mono , French DD 2.0 mono. |
| Subtitles | None | Italian, none | None | French or none. |
| Features |
Release Information: Studio: Anchor Bay Aspect Ratio:
Edition Details: Chapters 16
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Release
Information: Studio: Ripley's Home Video Aspect Ratio: |
Release Information: Studio: Image Entertainment
Aspect Ratio:
Edition Details: Chapters 14 |
Release Information: Studio: Films sans Frontières Aspect Ratio:
Edition Details:
DVD
Release Date: ? Chapters 5 |
| Comments |
ADDITION: Anchor Bay - April 07':
The disc is a slight improvement over Image Entertainment disc. Unfortunately, roll 15b is still missing from this disc, so RHV disc from Italy still has points over it. All the extras are carried over from Image disc except the liner notes and text info about deleted scene. *** ADDITION - Ripley Home Video - PAL - January 2005 - This is not a bad issue of the film, with less damage than the Image Entertainment edition. It has good boosted audio options and decent extras, but no commentary. Marco Forneir says: The Image DVD (that I also have) is slightly cropped horizontally compared to the RHV one, and is missing a few moments compared to the RHV edition. Technically the Image edition is not cut, but RHV managed to discover an additional part of the film (roll 15b) that was never before included in any home video edition. Hence the true uncut version is only the RHV one. ***** The Image Entertainment edition with its anamorphic picture quality is by far the superior release when it comes to the image (even with the flagrant damage marks), the Extras and even the menus. That is about all there is to say here. With an unusual running time the Films sans Frontieres PAL edition was shown to be taken from a NTSC source and has 'ghosting'. One might wonder which is the appropriate title for the film (both are shown above). For those keen on this Bava film, the Image DVD is the obvious route to go. NOTE (Thanks Annie!) -
having bought the Italian DVD edition of Mario Bava's Black Sunday I was
surprised to see that this edition in particular is the first one on home
video that restores a scene to its rightful place in the film. |
DVD Menus
Anchor Bay (Mario Bava
Collection) - Region 1 - NTSC
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(Ripley's Home Video (Edizione Speciale) - Region 0 - PAL LEFT
vs. Image
- Region 1 - NTSC - MIDDLE vs. Films sans Frontières - Region 0 - PAL -
RIGHT)
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Screen Captures
(Anchor Bay (Mario Bava Collection) - Region 1 - NTSC TOP vs. Ripley's Home Video (Edizione Speciale) - Region 0 - PAL 2nd vs. Image - Region 1 - NTSC - 3rd vs. Films sans Frontières - Region 0 - PAL - BOTTOM)
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(Anchor Bay (Mario Bava Collection) - Region 1 - NTSC TOP vs. Ripley's Home Video (Edizione Speciale) - Region 0 - PAL 2nd vs. Image - Region 1 - NTSC - 3rd vs. Films sans Frontières - Region 0 - PAL - BOTTOM)
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(Anchor Bay (Mario Bava Collection) - Region 1 - NTSC TOP vs. Ripley's Home Video (Edizione Speciale) - Region 0 - PAL 2nd vs. Image - Region 1 - NTSC - 3rd vs. Films sans Frontières - Region 0 - PAL - BOTTOM)
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(Anchor Bay (Mario Bava Collection) - Region 1 - NTSC TOP vs. Ripley's Home Video (Edizione Speciale) - Region 0 - PAL 2nd vs. Image - Region 1 - NTSC - 3rd vs. Films sans Frontières - Region 0 - PAL - BOTTOM)
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(Anchor Bay (Mario Bava Collection) - Region 1 - NTSC TOP vs. Ripley's Home Video (Edizione Speciale) - Region 0 - PAL 2nd vs. Image - Region 1 - NTSC - 3rd vs. Films sans Frontières - Region 0 - PAL - BOTTOM)
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(Anchor Bay (Mario Bava Collection) - Region 1 - NTSC TOP vs. Ripley's Home Video (Edizione Speciale) - Region 0 - PAL 2nd vs. Image - Region 1 - NTSC - 3rd vs. Films sans Frontières - Region 0 - PAL - BOTTOM)
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Report Card:
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Image: |
Ripley's Home Video |
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Sound: |
Ripley |
| Extras: | Image / Anchor Bay |
| Menu: | Anchor Bay |
| DVD Box Covers |
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| Distribution |
Anchor Bay Region 1 - NTSC |
Ripley's Home Video Region 0 - PAL |
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Image Region 1 - NTSC |
Films
sans Frontières Region 0 - PAL |
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