Stanley Kubrick's - Dr. Strangelove or: How I Learned to Stop Worrying and Love the Bomb - DVD Review Stanley Kubrick Dr. Strangelove or: How I Learned to Stop Worrying and Love the Bomb DVD Review Stanley Kubrick Dr. Strangelove or: How I Learned to Stop Worrying and Love the Bomb DVD Review Stanley Kubrick Dr. Strangelove or: How I Learned to Stop Worrying and Love the Bomb DVD Review Stanley Kubrick Dr. Strangelove or: How I Learned to Stop Worrying and Love the Bomb DVD Review Stanley Kubrick Dr. Strangelove or: How I Learned to Stop Worrying and Love the Bomb DVD Review Stanley Kubrick Dr. Strangelove or: How I Learned to Stop Worrying and Love the Bomb DVD Review Stanley Kubrick Dr. Strangelove or: How I Learned to Stop Worrying and Love the Bomb DVD Review Stanley Kubrick Dr. Strangelove or: How I Learned to Stop Worrying and Love the Bomb DVD Review Stanley Kubrick Dr. Strangelove or: How I Learned to Stop Worrying and Love the Bomb DVD Review (Collector's Edition) - Region 2

(aka "Dr. Strangelove" )

U.K. 1964

The destruction of mankind by the H-Bomb and a so-called "Doomsday Machine" scarcely seems a likely subject for comedy yet producer-director Stanley Kubrick has fashioned a fantastically satirical picture with many chuckles and a goodly amount of suspense from his zany picturization of Peter George's book, "Red Alert." Once again, Peter Sellers demonstrates his versatility and fine comedy sense with three widely varied portrayals, a mild-mannered British liaison officer, the calm, serious President of the U.S. and the heavily accented crippled German scientist, who gives the film its title (certainly the longest ever). Sellers' name, plus the title and rave magazine reviews, will attract the mature class patrons, especially in the key cities, but the picture's weird theme and the sex angle, briefly introduced by the bikini-clad Tracy Reed as an Air Force general's amorous secretary, must be heavily exploited. It may be too off-beat and filled with technical and nuclear terms for many average moviegoers. George C. Scott, as a grimacing Pentagon general, and Sterling Hayden, as the grimly realistic Gen. Jack D. Ripper, contribute fine portrayals.

Excerpt from Box Office Magazine's review located Here

Posters

Theatrical Release: 29 January 1964

Reviews More Reviews DVD Reviews

Incidental Reading on Stanley Kubrick (CLICK COVERS or TITLES for more information)


Kubrick: Inside A Film Artist's Maze by Thomas Allen Nelson	Stanley Kubrick, Director: A Visual Analysis by Alexander Walker	Stanley Kubrick: Interviews (Conversations With Filmmakers Series) by Stanley Kubrick, Gene D. Phillips	Stanley Kubrick The Complete Films by Paul Duncan	The Complete Kubrick by David Hughes	Stanley Kubrick: A Life in Pictures by Christiane Kubrick	Narrative And Stylistic Patterns In The Films Of Stanley Kubrick by Luis Garcia Mainar	The Making Of 2001: A Space Odyssey	Kubrick : The Definitive Edition by Michel Ciment	Stanley Kubrick Companion by James Howard

Check out more in "The Library"

DVD Comparison:

Columbia Tri-Star (first release) - Region 1- NTSC vs. Columbia Tri-Star (Special Edition) - Region 1 - NTSC vs. Columbia Tri-Star (Collector's Edition) - Region 2 - PAL vs. Columbia Tri-Star (Japan -Superbit) - Region 2- NTSC vs. Columbia Tri-Star (40th Anniversary Special Edition) - Region 1 - NTSC

Big thanks to Gregory Meshman , Mark Newland and Guillaume for the Screen Caps!

(Columbia Tri-Star (first release) - Region 1- NTSC LEFT vs. Columbia Tri-Star (Special Edition) - Region 1 - NTSC - 2nd vs. Columbia Tri-Star (Collector's Edition) - Region 2 - PAL - 3rd vs. Columbia Tri-Star (Japan - Superbit) - Region 2 - NTSC 4th vs. Columbia Tri-Star (40th Anniversary Special Edition) - Region 1 - NTSC - RIGHT)

DVD Box Covers
Distribution	Columbia Tri-Star (first release) Region 1 - NTSC	Columbia Tri-Star Region 1 - NTSC	Columbia Tri-Star Region 2 - PAL
Runtime	1:37:21	1:34:39	1:30:33 (4% PAL speedup)
Video	1.66:1 and 1.33:1 Original Aspect Ratio Average Bitrate: 5.19 mb/s NTSC 720x480 29.97 f/s	1.66:1 and 1.33:1 Original Aspect Ratio Average Bitrate: 6.30 mb/s NTSC 720x480 29.97 f/s	1.66:1 and 1.33:1 Original Aspect Ratio Average Bitrate: 5.91 mb/s PAL 720x576 25.00 f/s


Columbia Tri-Star Region 2 - NTSC	Columbia Tri-Star Region 1 - NTSC
1:34:39	1:34:39
1.66:1 and 1.33:1 Original Aspect Ratio Average Bitrate: ? mb/s NTSC 720x480 29.97 f/s	1.66:1 Original Aspect Ratio 16X9 enhanced Average Bitrate: 7.42 mb/s NTSC 720x480 29.97 f/s

	NOTE: The Vertical axis represents the bits transferred per second. The Horizontal is the time in minutes.
Bitrate: Columbia Tri-Star (first release)
Bitrate: Columbia Tri-Star (Special Edition)
Bitrate: Columbia Tri-Star (Collector's Edition)
Bitrate: Columbia Tri-Star (40th Anniversary Special Edition)

Audio

English (Dolby Digital 1.0), DUBs: French (Dolby Digital 1.0), Spanish (Dolby Digital 1.0)

English (Dolby Digital 2.0 Mono); DUB:Spanish, French, Portuguese (Dolby Digital 2.0 Mono)

English, French, German, Italian, Spanish Mono 2.0

English DTS 6ch

English (Dolby Digital 2.0 Mono)

English (newly created from Mono Dolby Digital 5.1 and DTS 5.1), English (Dolby Digital 2.0 Mono), French

Subtitles

Spanish, none

English, Spanish, French, Portuguese, Thai, Chinese, None

English, French, German, Spanish, Italian, Dutch, Portuguese, Arabic, Czech, Danish, Finnish, Greek, Bulgarian, Hebrew, Hindi, Hungarian, and more...

English, Japanese, none

English, French, Korean, Thai, Chinese, None

Features

Release Information:
Studio: Columbia Tri-Star

Aspect Ratio:
Widescreen letterboxed - 1.66:1 and 1.33:1

Edition Details:
• 1 page liner notes

DVD Release Date: June 29th, 1999
Keepcase

Chapters 29

Note: Stated on the box - This transfer (with its changing aspect ratio) was approved by director 'Stanley Kubrick' himself!

Release Information:
Studio: Columbia Tri-Star

Aspect Ratio:
Widescreen letterboxed - 1.66:1 and 1.33:1

Edition Details:
• Featurette:
• Documentary:
• Original Split-Screen Interview with Peter Sellers and George C. Scott
• Original advertising Gallery
• Talent Files
• Theatrical trailers (Dr Strangelove, Fail-Safe, Anatomy of a Murder)

DVD Release Date: February 27, 2001
Keepcase

Chapters 28

Release Information:
Studio: Columbia Tri-Star

Aspect Ratio:
Widescreen letterboxed - 1.66:1 and 1.33:1

Edition Details:
• Multilingual menus
• Theatrical Trailers
• Featurette: The Art of Stanley Kubrick: From Short Films to Strangelove
• Documentary: Inside the Making of Dr. Strangelove
• Original Split-Screen Interview with Peter Sellers and George C. Scott
• Original Advertising Gallery

DVD Release Date: February 18, 2002
Keepcase

Chapters 28

Release Information:
Studio: Columbia Tri-Star (Japan)

Aspect Ratio:
Widescreen letterboxed - 1.66:1 and 1.33:1

Edition Details:
• None

DVD Release Date: November 28th, 2003
Keepcase

Chapters 28

Release Information:
Studio: Columbia Tri-Star

Aspect Ratio:
Widescreen letterboxed - 1.66:1

Edition Details:
• Documentary
• Documentary
• Interview with Robert S. McNamara, Secretary of Defense under President Johnson
• Featurette:
• Documentary:
• Original Split-Screen Interview with Peter Sellers and George C. Scott
• Original advertising Gallery
• Talent Files
• Collectible scrapbook with original production photos and an essay written by Roger Ebert

DVD Release Date: November 2, 2004
Keepcase

Chapters 28

Comments

ADDITION: Japanese SUPERBIT - Dec - 04 - Wow, the Japanese SUPERBIT release is gorgeous -tight, sharp, bright , filled with grain. As Kubrick appeared to vacillate on his preferred ratio, many may still want the 1.33-1.66 edition - and if so, then the Japanese Superbit is the one to choose. It has original audio as well as DTS and both English or Japanese subtitles. As with other SB titles - no extras.

*****

The first three releases shown in this comparison have all had contrast boosting (or came from a print of like). It becomes most noticeable when looking at the new 40th anniversary release that the others are much brighter. According to Robert Harris this new 40th anniversary issue is a new "restoration" as it's the first time it's been transferred from a master element rather than a print. Columbia's DVD mastering policy indicates that this is a high-def transfer from those elements and then down-converted to DVD resolution. Print damage, though apparent, is less in the new edition in comparison to the other 3 (see large capture # 3). This 'darkness' is far more in tune with the original presentation and the contrast and black levels are near perfect.

The new edition has the anamorphic molding that we see occasionally when doing screen captures and reducing the image. They tend to look soft, even in their native resolution, but the big question is has it been cropped to 1.66 from its original multi-aspect ratios and 1.8t theatrical? Criterion's stellar laserdisc from 12 years ago bounced between 1:37 and 1:66 depending on what scene was up. This is how all three initial releases are. Dr. Strangelove was projected in 1:85 in the United States and 1:66 in Europe. Kubrick preferred flat transfers and has stated so on many occasions, but I thought this was after 2001: A Space Odyssey was cropped for BBC television, not before. I was sure he did not prefer the 1.85 theatrical in his later years, but suspect this was an afterthought after it was already released. Perhaps someone can correct me.

The Region 1 (Special Edition) shows some good grain and is minutely sharper than the PAL Collector's edition.

I am reserving judgment on image until I can be satisfied about the ratio.

By the way, Columbia's menus in the first release are a hoot. They are as bad as any I have ever seen from a major studio, bordering on basement conversions from 'Joe the VHS dubber'. I know it was 1999.

- Gary Tooze

Kubrick on DVD (NTSC) - CLICK COVERS or TITLES for more information


Stanley Kubrick Boxset	Eyes Wide Shut	Full Metal Jacket	The Shining	Barry Lyndon	A Clockwork Orange	2001: A Space Odyssey


Dr. Strangelove or How I Learned To Stop Worry and Love the Bomb	Lolita	Spartacus	Paths of Glory	The Killing	Killer's Kiss

DVD Menus

(Columbia Tri-Star (first release) - Region 1- NTSC LEFT vs. Columbia Tri-Star (Special Edition) - Region 1 - NTSC MIDDLE vs. Columbia Tri-Star (Collector's Edition) - Region 2 - PAL - RIGHT)

(Columbia Tri-Star (Collector's Edition) - Region 2 - PAL - LEFT vs. Columbia Tri-Star (40th Anniversary Special Edition) - Region 1 - NTSC - RIGHT)

Subtitle samples

NOTE: Not exact frame matches!

(Columbia Tri-Star (first release) - Region 1- NTSC TOP vs. Columbia Tri-Star (Special Edition) - Region 1 - NTSC - 2nd vs. Columbia Tri-Star (Collector's Edition) - Region 2 - PAL - 3rd vs. Columbia Tri-Star (Japan - Superbit) - Region 2 - NTSC 4th vs. Columbia Tri-Star (40th Anniversary Special Edition) - Region 1 - NTSC - BOTTOM)

Screen Captures

NOTE: Look closely at damage on top of light (mark) in all but the Japanese Super Bit and the 40th anniversary edition)

(Columbia Tri-Star (first release) - Region 1- NTSC TOP vs. Columbia Tri-Star (Special Edition) - Region 1 - NTSC - 2nd vs. Columbia Tri-Star (Collector's Edition) - Region 2 - PAL - 3rd vs. Columbia Tri-Star (40th Anniversary Special Edition) - Region 1 - NTSC - BOTTOM)

Hit Counter

Report Card:

Image:	Multi-ratio edition - Japanese Superbit / For anamorphic - 40th Anniversary
Sound:	Anniversary
Extras:	Anniversary
Menu:	Anniversary

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Many Thanks...

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