![]()
![]()
![]()
![]()

(aka " Jennie " or "Tidal Wave")
directed
by William Dieterle
USA 1948
|
"A haunting story of a rift in time, "Portrait of Jennie" (1948) was taken from a novel by Robert Nathan and directed by William Dieterle. Cotten plays struggling artist Eben Adams who finds inspiration and happiness with Jennie, (Jennifer Jones) a mysterious girl he meets by chance in Central Park. When she first appears, Jennie is a precocious twelve-year-old who chatters on about places and events that happened years ago as if they were current. Eben never knows when he will next meet her, but each time he does, Jennie has grown a little older. One day she is in his apartment when he returns home, a beautiful young woman of eighteen, and Eben begins to sketch her for a portrait. Jennie appears once more, now in her twenties, and Eben finishes his masterpiece, his Portrait of Jennie. Now deeply in love, the two plan to be together forever, but Jennie tells Eben she must first be away for a short time - she mentions Land's End at Cape Cod. Months go by, and when Jennie does not reappear, a despondent Eben tries to trace her - a nun (Lillian Gish) at a convent where Jennie attended school remembers her very well, but tells Eben that Jennie died years ago - drowned in a huge storm that struck...Land's End. Eben makes the journey to Cape Cod, and must race against time and the elements for the chance to alter destiny. Not a success upon its release, "Portrait of Jennie" has grown in its appeal in the years since - the ethereal story of an expansion of time, a collapse of boundaries, or an overlapping of both. The chemistry between Cotten and the luminous Jennifer Jones was never better. The stunning cinematography by Oscar-nominated Joe August and composer Dimitri Tiomkin's use of themes by Claude Debussy add immeasurably to the dreamlike quality of the film. " Excerpt taken from Rav'in Mav'ins website found HERE |
Poster - CLICK to enlarge
Theatrical Release: December 25th, 1948 - USA
Reviews More Reviews DVD Reviews
DVD Comparison:
MGM - Region 1- NTSC vs. Anchor Bay - Region 0 - NTSC vs. Freemantle - Region 0 - PAL
(MGM - Region 1- NTSC LEFT vs. Anchor Bay - Region 0 - NTSC - MIDDLE vs. Freemantle - Region 0 - PAL - RIGHT)
| DVD Box Covers |
|
|
|
| Distribution |
MGM Region 1 - NTSC |
Anchor Bay Entertainment Region 0 - NTSC |
Freemantle Home Entertainment Region 0 - PAL |
| Runtime |
1:26:18 |
1:26:07 | 1:22:22 (4% PAL speedup) |
| Video |
1.33:1 Original Aspect Ratio
Bitrate 6.20 mb/s |
1.33:1 Original Aspect Ratio |
1.33:1
Original Aspect Ratio |
| Audio | English (Dolby Digital 2.0 Mono) | English (Dolby Digital 2.0 Mono) |
English (Dolby Digital 2.0 Mono) |
| Subtitles | English and none | None | None |
| Features |
Release Information: Studio: MGM Entertainment
Aspect Ratio: Edition Details:
DVD
Release Date: October 19th, 2004 Chapters 16 |
Release Information: Studio: Anchor Bay Entertainment
Aspect Ratio: Edition Details: DVD
Release Date: November 28, 2000
Chapters 28
|
Release Information: Studio: Fremantle Home Entertainment Aspect Ratio: Full Screen (Standard) - 1.33:1 Edition Details: DVD
Release Date: 6 August, 2001 Chapters 12 |
| Comments: |
ADDITION: MGM (Oct - 04)
- I'm getting weary of looking at these images. I think the MGM and
Anchor Bay give almost the same sharpness, but often I see the Anchor
Bay as superior. The contrast on the MGM looks finer, but it may be only
that it is darker overall. The MGM has included removable English
subtitles. I am sticking with my Anchor Bay for the superior
extras/menus and sharpness. MGM, as with their
Duel in the Sun (originally released by Anchor Bay as well)
missed another opportunity to better the initial release.... and they
couldn't even bother to include a trailer as an extra. What fools. Stick
with your OOP Anchor Bay - in my mind it is even more valuable now.
P.S. MGM have marketed one of the worst covers I have ever seen. Beautiful Jen Jones looks like an mannequin. *******
The 'Out of Print"
Anchor Bay edition is far sharper than the Freemantle PAL version. You
can even see a shade of film grain on the Anchor Bay. The only trouble
with the NTSC disc is that it is unavailable and extremely costly
'used'. The Extras go toward the Anchor Bay too with a trailer
and Photo gallery. The AB has no Extras. Buy the Anchor Bay if you ever
see it anywhere.
|
Recommended Reading in Film Noir (CLICK COVERS or TITLES for more information)
![]() |
![]() |
![]() |
![]() |
![]() |
![]() |
![]() |
![]() |
|
Film Noir: An Encyclopedia Reference to the American
Style by Alain Silver, Elizabeth Ward |
The Dark Side of the Screen: Film Noir by Foster Hirsch |
Somewhere in the Night: Film Noir and the American City by Nicholas Christopher |
Film Noir Reader 4 : The Crucial Films and Themes
(Film Noir Reader) by Alain Silver |
The Art of Noir: The Posters and Graphics from the
Classic Era of Film Noir by Eddie Muller |
Film Noir Guide: 745 Films of the Classic Era,
1940-1959 by Michael F. Keaney |
Detours and Lost Highways: A Map of Neo-Noir by Foster Hirsch |
More Than Night: Film Noir in Its Contexts by James Naremore |
DVD Menus
(MGM
- Region 1- NTSC LEFT vs. Anchor
Bay
- Region 0 - NTSC - MIDDLE vs. Freemantle - Region 0 - PAL - RIGHT)
|
|
|
|
|
|
|
|
|
|
|
|
Screen Captures
(MGM - Region 1- NTSC TOP vs. Anchor Bay - Region 0 - NTSC - MIDDLE vs. Freemantle - Region 0 - PAL - BOTTOM)
![]() |
![]() |
(MGM - Region 1- NTSC TOP vs. Anchor Bay - Region 0 - NTSC - MIDDLE vs. Freemantle - Region 0 - PAL - BOTTOM)
|
|
|
|
![]() |
(MGM - Region 1- NTSC TOP vs. Anchor Bay - Region 0 - NTSC - MIDDLE vs. Freemantle - Region 0 - PAL - BOTTOM)
|
|
|
|
![]() |
(MGM - Region 1- NTSC TOP vs. Anchor Bay - Region 0 - NTSC - MIDDLE vs. Freemantle - Region 0 - PAL - BOTTOM)
|
|
|
|
![]() |
(MGM - Region 1- NTSC TOP vs. Anchor Bay - Region 0 - NTSC - MIDDLE vs. Freemantle - Region 0 - PAL - BOTTOM)
|
|
|
|
![]() |
Report Card:
DONATIONS Keep DVDBeaver alive and advertisement free:
Mail cheques, money orders, cash to: or CLICK PayPal logo to donate!
|
Gary Tooze
Mississauga, Ontario, CANADA |
|