(aka "Tag Der Freiheit - Unsere Wehrmacht" or "Day of Freedom - Our Armed Forces")
directed
by Leni Riefenstahl
Germany 1953
Theatrical Release: December 30, 1935
DVD Comparison:
Synapse Films (Triumph of the Will) - Region 0 - NTSC vs. Synapse Films (SE) - Region 0 - NTSC vs. Warner (Short Vol. 8 - Vision) - Region 0 - NTSC
Big thanks to Enrique B Chamorro for all the Screen Caps!
(Synapse Films (Triumph of the Will) - Region 0 - NTSC - LEFT vs. Synapse Films (SE) - Region 0 - NTSC - MIDDLE vs. Warner (Short Vol. 8 - Vision) - Region 0 - NTSC - RIGHT)
DVD Box Covers |
|
|
|
Distribution |
Synapse Films Region 0 - NTSC |
Synapse
Films Region 0 - NTSC |
Warner Region 0 - NTSC |
Runtime | 1:50:24 | 16:53 | 16:50 |
Video |
1.33:1
Original Aspect Ratio |
1.33:1
Original Aspect Ratio |
1.33:1
Original Aspect Ratio |
NOTE: The Vertical axis represents the bits transferred per second. The Horizontal is the time in minutes. |
|||
Bitrate:
Synapse Films (Triumph of the Will)
|
|
||
Bitrate:
Synapse Films (SE)
|
|
||
Bitrate:
Warner (Short Vol. 8 - Vision)
|
|
||
Audio | German DD 2.0 |
German DD 2.0 |
German DD 2.0 |
Subtitles | English | None | None |
Features |
Release Information: Studio: Synapse Films Aspect Ratio:
Edition Details: Chapters 18 |
Release Information: Studio: Synapse Films Aspect Ratio:
Edition Details:
DVD
Release Date: 04/17/01 Chapters 1 |
Release Information: Studio: Warner Aspect Ratio:
Edition Details:
DVD
Release Date: 05/02/00 Chapters 1 |
Comments |
Day of Freedom is
available on DVD via two sources, as a supplement on the Triumph of the
Will DVD and as one of the documentary pieces on the Short #8 compilation
by Warner. Both share the same print damage so they both must be derived
from a nitrate print found in the US. Leni Riefenstahl claims that the
only interesting central part of the film, a speech by Hitler, is missing
from the US remnant. Both DVD's lack subtitles, but the Warner edition
contains a commentary track by Dr. Robert Von Dassanowsky, Associate
Professor and Chair of Languages and Cultures and Director of Film Studies
at the University of Colorado (bio
HERE ) It sounds like the commentary track was recorded through a telephone which is a real shame. Dr. Dassanowsky's expertise in German Culture and History clearly comes across in the short 16 minutes he has during the film. The limited time available unfortunately does not allow him the time to develop the intricate web of history that Dr. Santoro can over the almost two hours of Triumph of the Will. Given the short time, Dr. Dassanowsky gets to bring up several interesting topics in relation to Leni Riefenstahl's life and the Nuremberg films. Day of Freedom by all accounts was an effort to mollify the German armed forces. The generals felt that they had been overlooked, only a short sequence in the middle of Triumph of the Will showcased the army. Riefenstahl retells that Hitler proposed his own "artistic" compromise. He wanted Leni to have Triumph open with a camera slowing tracking down a row of all the "overlooked" generals. This would placate each general's ego. Riefenstahl was bold enough to refuse his suggestion and insist on keeping artistic control over Triumph of the Will. Leni did agree to return to the 1935 rally and make a film exclusively about the Wehrmacht. She did just that with a small camera crew and quickly went about fulfilling her commitment. Day of Freedom opens with a rather expressionistic style having the solder's profile silhouette against the sky, but then the remainder of the film follows her more conventional "documentary" style. The artistic opening would be a prelude to her dramatic opening for Olympia, but the short film basically mimics the look of Triumph, with some leftover footage even being used from the 1934 rally. Her eye for composition still shows in some short segments, but the primary goal was to showcase the power of the military machine. Leni maintains that it was a minor film made to satisfy the petty jealousies of German generals. |
DVD Menus
(Synapse Films (Triumph of the Will) -
Region 0 - NTSC - LEFT vs. Synapse Films (SE) - Region 0 - NTSC -
MIDDLE vs. Warner (Short Vol. 8 - Vision) - Region 0 - NTSC - RIGHT)
|
|
|
|
|
|
|
Screen Captures
(Synapse
Films (Triumph of the Will) - Region 0 - NTSC - TOP vs. Synapse Films
(SE) - Region 0 - NTSC - MIDDLE vs. Warner (Short Vol. 8 - Vision) -
Region 0 - NTSC - BOTTOM)
|
|
|
(Synapse Films (Triumph of the Will) - Region 0 - NTSC - TOP vs. Synapse Films (SE) - Region 0 - NTSC - MIDDLE vs. Warner (Short Vol. 8 - Vision) - Region 0 - NTSC - BOTTOM)
Some "tent city" scenes reused from Triumph to imply a sense of community.
|
|
|
(Synapse Films (Triumph of the Will) - Region 0 - NTSC - TOP vs. Synapse Films (SE) - Region 0 - NTSC - MIDDLE vs. Warner (Short Vol. 8 - Vision) - Region 0 - NTSC - BOTTOM)
Communal cooperation reinforces the benefit of being a party member and supporter.
|
|
|
(Synapse Films (Triumph of the Will) - Region 0 - NTSC - TOP vs. Synapse Films (SE) - Region 0 - NTSC - MIDDLE vs. Warner (Short Vol. 8 - Vision) - Region 0 - NTSC - BOTTOM)
Abstract portrayal used to introduce the eventual display of military power.
|
|
|
(Synapse Films (Triumph of the Will) - Region 0 - NTSC - TOP vs. Synapse Films (SE) - Region 0 - NTSC - MIDDLE vs. Warner (Short Vol. 8 - Vision) - Region 0 - NTSC - BOTTOM)
Actual maneuvers used as a direct challenge to the limits of the Army imposed on Germany.
|
|
|
(Synapse Films (Triumph of the Will) - Region 0 - NTSC - TOP vs. Synapse Films (SE) - Region 0 - NTSC - MIDDLE vs. Warner (Short Vol. 8 - Vision) - Region 0 - NTSC - BOTTOM)
Prerequisite view of Hitler's approval over the growing Nazi strength.
|
|
|
(Synapse Films (Triumph of the Will) - Region 0 - NTSC - TOP vs. Synapse Films (SE) - Region 0 - NTSC - MIDDLE vs. Warner (Short Vol. 8 - Vision) - Region 0 - NTSC - BOTTOM)
|
|
|
Report Card:
Image: |
Synapse |
Sound: |
tie |
Extras: | Warner |
Menu: | Warner |