"Sonatine" MIA - Region 2 - PAL vs. Chinese Bootleg - Region 3 - NTSC vs. Panorama - Region 3

(aka "Sonachine" )

directed by Kitano Takeshi
Japan 1993

With “Sonatine”, Kitano hit the international scene. Already world famous, at least five times over in Japan, the rest of the world knew next to nothing about him. Here came a film, so fresh and inventive, that some already began talking about a possible new master.

"Sonatine" opens with a shock, precisely 1 minute 27 seconds into the film. A 38 second shot begins, as a static Close Up of a boy sorting mah-jong pieces, suddenly, after 14 seconds, the camera pulls back in a tracking shot for 11 seconds, allowing Kitano and Terajima to enter and leave the frame, leaving us with a 13 second static Medium Long Shot of the boy, still sorting pieces. Considering Kitano's persistent use of static frame compositions in his previous three films, this 38 second shot, especially the 11 seconds of backward tracking, hits one in the face, as if a mute person suddenly utters a word.

It is also the first film where composer Jo Hisaishi’s minimalist score really carries the images. It is the first of many things, all showing a mature and confident Kitano; Thus, “Sonatine” is rightfully the first real Kitano film. Kitano himself agrees upon this, when he says: “...it is with Sonatine that I had the feeling to achieved the first stage as a director."

Aniki (Kitano) is an underboss in the Yakuza. Becoming increasingly bored with the daily routines and having run out of steam, he considers retirement. When another yakuza underboss, who is envious of his success, plots and causes Aniki to lose his territory and family, and forcing him to hide, he sees it as an opportunity to start fresh. But can he?

The title derives from a musical term meaning little sonata, which amongst other is used for simple educational pieces; Kitano elaborates: “When learning to play the piano, one studies various types of pieces. When one acquires the basic knowledge of these pieces, one has reached sonatine. Its not really control, but it marks the end of first stage of training.”

Henrik Sylow of kitanotakeshi.com

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Theatrical Release: June 5, 1993

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DVD Comparison:

MIA - Region 2 - PAL vs. Chinese Bootleg - Region 3 - NTSC vs. Panorama - Region 3 - NTSC

Big thanks to for all the Screen Caps!

(MIA - Region 2 - PAL - LEFT vs. Chinese Bootleg - Region 3 - NTSC - MIDDLE vs. Panorama - Region 3 - NTSC - RIGHT)

DVD Box Covers
Distribution	MIA Region 2 - PAL	Chinese Bootleg Region 3 - NTSC	Panorama Region 3 - NTSC
Runtime	1:33:55	1:33:50	1:34:05
Video	1.82 Aspect Ratio Average Bitrate: 4.78 mb/s PAL 720x576 25.00 f/s	1.78 Aspect Ratio 16X9 enhanced Average Bitrate: 5.92 mb/s NTSC 704x480 29.97 f/s	1.80 Aspect Ratio Average Bitrate: 5.73 mb/s NTSC 704x480 29.97 f/s
Bitrate: MIA NOTE: The Vertical axis represents the bits transferred per second. The Horizontal is the time in minutes.
Bitrate: Chinese Bootleg
Bitrate: Panorama
Audio	2.0 Dolby Digital Japanese	2.0 Dolby Digital Japanese	2.0 Dolby Digital Japanese, 5.1 Dolby Digital Japanese
Subtitles	English, None	None	Chinese, English, None
Features	Release Information: Studio: MIA Aspect Ratio: Widescreen letterboxed - 1.82 Edition Details: • Filmography • Biography • Stills gallery • Theatrical Trailer • Tokyo Bullet previews DVD Release Date: April 22, 2002 Transparent Keepcase Chapters 12	Release Information: Studio: Chinese Bootleg Aspect Ratio: Widescreen anamorphic - 1.78 Edition Details: DVD Release Date: Chapters 10	Release Information: Studio: Panorama Aspect Ratio: Widescreen letterboxed - 1.80 Edition Details: • Filmography • Biography • Audio Commentary (Chinese, no subtitles) DVD Release Date: September 12, 2002 Keep Case Chapters 12
Comments	The Chinese Bootleg is from the Bandai DVD and, once more, is the best of the compared. The MIA DVD looks basically as a direct transfer from the Panorama, only with different subtitles, as both colour scheme and bottom / left cropping of 2,5% are the same. The Chinese Bootleg has a sharper more detailed picture and the colours are rich and saturated. It simply is a delight to watch. Regarding the sound, the Panorama has a 5.1 DD track, which adds some space to especially the music of Hisaishi. While it is nice, the film loses nothing from the 2.0 DD track. If one should chose between the Panorama and the MIA, I would suggest the MIA, simply because the subtitling is better. Announced August 2003 and to be released in January 2004, the long awaited Miramax US R1 version of “Sonatine” was pulled indefinitely and is currently not on their release schedule. As it was to be released thru Buena Vista Home Entertainment, the current problems between Disney and Miramax is not the most fertile in regards to it returning. Thus the sad fact is, that there are no 16x9 editions of “Sonatine” with English subtitles available, unless one gets hold of the rare OOP Kitano box (Kitano Takeshi Kantoku Zenshu). - Henrik Sylow of kitanotakeshi.com