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directed by
Peter Watkins
UK 1965
Theatrical Release: November 1st, 1965 - UK
Reviews More Reviews DVD Reviews
DVD Comparison:
BFI Video - Region 2- PAL vs. New Yorker - Region 1- NTSC
(BFI Video - Region 1 - PAL LEFT vs. New Yorker - Region 1- NTSC RIGHT)
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| Distribution | BFI Video - Region 2 - PAL | New Yorker - Region 1- NTSC |
| Runtime | 46:21 (4% PAL speedup) | 48:34 (War Game) + Culloden (1:12:24) |
| Video | 1.33:1
Original Aspect Ratio Average Bitrate: 5.91 mb/s PAL 720x576 25.00 f/s |
1.33:1
Aspect Ratio Average Bitrate: 6.72 mb/s NTSC 720x480 29.97 f/s |
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NOTE: The Vertical axis represents the bits transferred per second. The Horizontal is the time in minutes. |
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| Bitrate:
BFI |
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| Bitrate: New Yorker |
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| Audio | English (Dolby Digital 2.0 Dolby) | English (Dolby Digital 2.0 Dolby) |
| Subtitles | English (hearing impaired), None | English, French, None |
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Features |
Release Information:
Edition Details: • Commentary
by Patrick Murphy |
Release Information: . Edition Details:
• Culloden (1:12:24) Audio Commentary by Dr.
John Cook |
| Comments: |
ADDITION: New Yorker - Region 1- NTSC (August 06') - Oliver Groom (Project X) has done some fabulous DVD production work including other Watkins films - Punishment Park, The Gladiators, and Edvard Munch - plus Mai Zetterling's Loving Couples. This new offering includes both Watkins' The War Game and Culloden on one dual-layered DVD released by New Yorker Video in the NTSC standard, coded for region 1. Comparing this new NTSC DVD edition of The War Game with one that the BFI produced in 2003, we can see some substantial differences. In all cases the New Yorker quality seems to have bettered the older BFI - it is sharper, more pure black + whites (better contrast), more information in the frame, I enjoyed the Cook commentary more than the Murphy one, better rendered subtitles and the New Yorker package includes Culloden - a brilliant reconstruction of the Battle of Culloden. Finally the 12page liner notes booklet in the NY'er is superior (has more information) to the sleeve notes in the BFI. I believe it was first published in Film International magazine. The NY'er commentaries are both detailed and excellent (if somewhat Watkins-slanted). Aside from the comparison, the NY'er disc looks exceptional. The intentional grain feel is part and parcel with the transfer of a film with so many frugal production features (hand-held camera etc.) It totally suits the expression of both films. Both of these Watkins works are under-appreciated, have been difficult to see and hard to forget once you have - which, I assume, is Watkins successful intention. Oliver Groom should be strongly commended for his essential part in bringing these film experiences to us digitally in such excellent condition. I consider this NY'er DVD a cineophile essential. ***
With
representations of archival footage and the use of varying lens's to create a realistic
feel - some of the images are intentionally degraded. There are also
moments of excellent clarity with fine contrast and film grain showing
through. The extras are wonderful
with a commentary and 2 shorts. Overall a short feature but the extras
add value and the image is... well, the image. Audio is clear and
consistent. Another fine DVD from BFI.
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(BFI Video - Region 1 - PAL LEFT vs. New Yorker - Region 1- NTSC RIGHT)
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NOTE: Not Exact Frame
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(BFI Video - Region 1 - PAL TOP vs. New Yorker - Region 1- NTSC BOTTOM)
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(BFI Video - Region 1 - PAL TOP vs. New Yorker - Region 1- NTSC BOTTOM)
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(BFI Video - Region 1 - PAL TOP vs. New Yorker - Region 1- NTSC BOTTOM)
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(BFI Video - Region 1 - PAL TOP vs. New Yorker - Region 1- NTSC BOTTOM)
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| Distribution | BFI Video - Region 2 - PAL | New Yorker - Region 1- NTSC |

directed by
Peter Watkins
UK 1965
Watkins' films are compulsively interesting almost in spite of themselves. His
oeuvre may be characterised as a progression from polemical hysteria
towards formal paranoia, yet it is impossible to deny his films their emotive,
affective power, derived from an innovatory manipulation of technique.
Culloden (made for TV) exhibits Watkins' virtues and vices in about equal
proportions, but takes on a critical centrality as an initiator of the
'drama-doc' strain of British TV. These quasi-newsreels of the past and future,
feeding off the documentary tradition to bolster the 'realism' of their
speculative fictions, and usurping the medium's primary resources for capturing
'actuality' to present reconstructions, effectively efface their artifice by
playing on the 'integrity' of certain strategies of representation. Yet Watkins
must still here rely on an omniscient/propagandist commentary to convey the
contextual discourses around his 'horror movies': a problem superseded in his
later, similar, but increasingly worrying work.
Excerpt
from TimeOut Film Guide located HERE
Theatrical Release:
December 15th, 1964 - UK
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Review:
New Yorker - Region 1- NTSC
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Distribution
New Yorker - Region 1- NTSC
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