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S E A R C H D V D B e a v e r |

(aka "Frank Costello, faccia d'angelo" or "The Godson")
directed by Jean-Pierre Melville
France 1967
| In a career-defining performance, Alain Delon plays a contract killer with samurai instincts. A razor-sharp cocktail of 1940s American gangster cinema and 1960s French pop culture—with a liberal dose of Japanese lone-warrior mythology—maverick director Jean-Pierre Melville’s masterpiece Le Samouraï defines cool. |
Posters
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Theatrical Release: February 14th, 1967 - France
Reviews More Reviews DVD Reviews
DVD Comparison:
René Chateau Vidéo (oop) - Region 0 - PAL vs. Criterion - Region 1- NTSC
This is on the TOP 100 List of DVDs.
(René Chateau Vidéo (oop) - Region 0 - PAL LEFT vs. Criterion - Region 1- NTSC RIGHT)
| DVD Box Cover |
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| Distribution | René Chateau Vidéo - Region 0 - PAL | Criterion Collection - Spine # 306 - Region 1 - NTSC |
| Runtime | 1:40:45 (4% PAL speedup) | 1:45:08 |
| Video |
1.66:1.00
Letterboxed WideScreen / 16 X 9 enhnaced Average Bitrate: 7.17 mb/s PAL 720x576 25.00 f/s |
1.83:1.00
Letterboxed WideScreen / 16 X 9 enhnaced Average Bitrate: 6.95 mb/s NTSC 720x480 29.97 f/s |
| Bitrate: Rene Chateau |
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| Bitrate: Criterion |
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| Audio | French (Dolby Digital 1.0 Mono) | French (Dolby Digital 1.0 Mono) |
| Subtitles | English, none | English, none |
| Features |
Release Information: Edition Details:
Trailer, widescreen, anamorphic
(3:18)
NO SUBS ON EXTRAS |
Release Information: Edition Details: • Video interviews with Rui
Nogueira, author of Melville on Melville, and Ginette Vincendeau, author
of Jean-Pierre Melville: An American in Paris DVD Release Date: October 25th, 2005 Keep Case Chapters: 24 |
| Comments: |
ADDITION: Criterion - NTSC -
November 05':
Well, I always thought this film's
original aspect ratio was 1.66 - the
René Chateau DVD image is exactly 1.66:1. Criterion advertises 'presented
in its original aspect ratio of 1.85:1' - theirs is about 1.83:1. So one
of these DVDs is technically incorrect but neither looks to have
compromised the integrity of the image. I don't see any chopped heads and
only minor (and seemingly inconsequential) information appears removed at
times from the sides and tops - and it is not consistent. A combination of
opening-up, zooming, cropping and vertical (or horizontal) stretching or
compressing has taken place. Generally the Criterion shows more
information on the sides and less on the top and bottom. I don't consider
either DVD image to be violently affecting the film expression so lets
just drop that issue for the moment. I suspect both transfers may be
culprits in some minor ratio manipulations although overall the Criterion
is displaying more information.
The René Chateau is brighter than the Criterion and many colors are different (see the car when the license plates is being changed as one example). It is impossible for me to determine which is more correct at this time. The DVDs look equally sharp and crisp - with the Criterion being a minute notch ahead.Subtitle translations are occasionally different. I suspect that the Criterion are more literally accurate, but the René Chateau more figuratively translated. Neither have a bearing on extravagantly adjusting the inference of the films narrative. The Criterion subtitles are small and less intrusive - both issues they are optional. Extras, of course, go the way of Criterion. I particularly enjoyed the archival interviews. The René Chateau's supplements are in French with no subtitles offered.BOTTOM LINE: The René Chateau has been a rare bird for a while and the Criterion is in their lower price point. We rate this film extremely highly here at DVDBeaver and accept both presentations as being very worthy of any personal DVD library. Both are progressive, anamorphic and very sharp. Forced to choose we go with the Criterion in most categories.Gary W. Tooze |
Recommended Reading in French Cinema (CLICK COVERS or TITLES for more information)
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|
The Films in My Life |
French Cinema: A Student's Guide by Philip Powrie, Keith Reader |
Agnes Varda by Alison Smith | Godard on Godard : Critical Writings by Jean-Luc Godard | Notes on the Cinematographer by Robert Bresson |
Robert Bresson (Cinematheque Ontario Monographs, No.
2) by James Quandt |
French New Wave
by Jean Douchet, Robert Bonnono, Cedric Anger, Robert Bononno |
French Cinema: From Its Beginnings to the Present by Remi Fournier Lanzoni |
Truffaut: A Biography by Antoine do Baecque and Serge Toubiana |
Check out more in "The Library"
(René Chateau Vidéo (oop) - Region 0 - PAL LEFT vs. Criterion - Region 1- NTSC RIGHT)
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Subtitle Samples
(René Chateau Vidéo (oop) - Region 0 - PAL TOP vs. Criterion - Region 1- NTSC BOTTOM)
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Screen Captures
(René Chateau Vidéo (oop) - Region 0 - PAL TOP vs. Criterion - Region 1- NTSC BOTTOM)
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(René Chateau Vidéo (oop) - Region 0 - PAL TOP vs. Criterion - Region 1- NTSC BOTTOM)
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(René Chateau Vidéo (oop) - Region 0 - PAL TOP vs. Criterion - Region 1- NTSC BOTTOM)
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(René Chateau Vidéo (oop) - Region 0 - PAL TOP vs. Criterion - Region 1- NTSC BOTTOM)
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Report Card:
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Image: |
Criterion |
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Sound: |
- |
| Extras: | Criterion |
| Menu: | Criterion |
| DVD Box Cover |
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| Distribution | René Chateau Vidéo - Region 0 - PAL | Criterion Collection - Spine # 306 - Region 1 - NTSC |
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Gary Tooze
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