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L e n s V i e w sA view on Blu-ray and DVD video by Leonard Norwitz |
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Introduction: I first noticed that some movies were actually "films" back around
1960 when I saw Seven Samurai (in the then popular truncated version),
La Strada and
The Third Man for the first time. American classics were a later and
happy discovery.
BLU-RAY STORE ALL OUR NEW FORMAT DVD REVIEWS
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Walt Disney Treasures: The Chronological Donald IV (Walt Disney Treasures: Limited Edition)
(Jack Hannah, 1951)
Review by Leonard Norwitz
Studio: Theatrical: Walt Disney Studios DVD: Walt Disney Studios Home Entertainment
Disc: Region: 1 Runtime: 5 hours Chapters: 31 Case: Oversize locking case inside Disney Treasure Collector's Tin Release date: November 11, 2008
Video: Aspect ratio: 1.33:1 (plus 5 in 2.40:1 CinemaScope) Resolution: 480p
Audio: English 2.0 Dolby
Subtitles: English SDH, none
Extras: • Introductions by Leonard Maltin (3:29, 3:04, 0:25) • Featurette: Donald Goes to Press. (12:48) • Featurette: The Unseen Donald Duck. (10:12) • Audio Commentary on Working for Peanuts and Grand Canyonscope by Leonard Maltin & Jerry Beck • 10 Mouseworks Cartoons (1:01:52)
The Film:
Donald first came into being in 1934 as little more than a
barnyard animal, but by the 1950s, when the current DVD set
gets going, Donald, like many Americans, has moved to the
suburbs. It's a kinder, gentler world, though one not
without its hazards.
Image:
Image quality varies, mostly with age. The main body of
these cartoons, especially the ones distributed by RKO
(prior to 1954), while without scratches or dirt and while
the color and contrast is always good, still appear noisy –
either from more grain than we're used to or from
overprinting. Whatever the reason, they are less than
pristine. The Mickey Mouse Works cartoons, on the other
hand, are stunning: entirely without noise or blemishes. The
art work is evidently not painted and has a translucent
quality about it that clearly sets it apart from the
Technicolor efforts of the 1950s. I'm not saying I prefer
these, only that they are so remarkably different. In any
case, the target audience is younger, and their naiveté is
refreshing.
Audio & Music: The RKO cartoons are nicely preserved in basic 2-channel mono. I suppose the dialogue is clear, I couldn't say. Without subtitles I'm unsure. Things change with CinemaScope, which incorporates stereophonic sound by default. We're still at 2.0 but the improvement in clarity is noticeable – not because it's in stereo, but because greater care was necessary, and taken. The audio, both music and dialogue, is bumped a couple of points further for the Mickey Mouse Works material.
Operations: The rather pedestrian menu permits access to cartoon titles three ways: alphabetically, chronologically, and a few that are thought to be worrisome for today's young children, so they're located in the Vault.
Extras:
There are three main Extra Features (in addition to the
Mickey Mouse Works cartoons): Donald Goes to Press looks at
Donald as he appeared in comics. Bob Foster, Bret Blevin and
Brian Sibley discuss how Donald the comic is differentiated
from Donald the cartoon. In The Unseen Donald Duck, Leonard
Maltin invites storyboard artist Eric Goldberg to talk about
what he knows best. Both of these featurettes are aided by
considerable amount of artwork, and both are worth your
trouble. There are also Audio Commentaries by Maltin & Jerry
Beck on: Working for Peanuts (because it was made in 3D,
though not rendered in 3D on the DVD) and Grand Canyonscope,
Disney's first venture into the new widescreen medium – even
predating the release of the feature film Lady & the Tramp.
Bottom line:
8 Leonard Norwitz
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