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directed
by Norman Jewison
USA 1967
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In the Heat Of The Night fit in well
with the canons of screenwriter Stirling
Silliphant, director Jewison and
cinematographer Haskell Wexler. Silliphant
went on to pen the poignant
Charly (1968)
and another racially-tinged drama, The
Liberation of L.B. Jones (1970). Wexler
brought a harsh, realistic look to films
like
Who's Afraid of Virginia Woolf? (1966)
and documentaries like No Nukes (1980),
later working on such socially-conscious
fare as Matewan (1987) and Coming Home
(1978). With In The Heat of the Night's
performances and screenplay drawing so much
of the viewer's attention, Wexler's camera
work almost takes a backseat, but his shot
compositions and angles complement the
movie's mood perfectly. Shot in the small towns of Dyersburg, Tennessee and Freeburg, Belleville, and Sparta, Illinois, In The Heat of the Night had the perfect atmosphere of a stifling rural town in the South, the type of place where every newcomer is eyed with suspicion. Quincy Jones' rootsy, innovative score mingled elements of country blues, bluegrass and rock to evoke the languid tension of the town perfectly. Tibbs posed several problems to the locals, not only as an outsider and a black man; his knowledge of police work and forensics threatened to embarrass the local police and make them look like backwoods hicks. It would have been easy to make Gillespie's character a stereotypical, loudmouthed Southern bigot, but screenwriter Sterling Silliphant imbued him with much more depth than that. By the same turn, Tibbs is shown to be a flawed man as well, with his own pride and cleverness often getting in his way. As the film unfolds, Gillespie and Tibbs slowly come to the realization that they have more in common than they'd like to admit, and even begin to develop a grudging respect for each other. Thus, a movie that could easily have become obvious and heavy-handed is instead a subtle, character-driven gem. |
Posters
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Theatrical Release: August 2nd, 1967
Reviews More Reviews DVD Reviews
DVD Comparison:
MGM
- Region 1 - NTSC vs. MGM (40th Anniversary Edition) - Region 1 - NTSC(MGM - Region 1 - NTSC LEFT vs. MGM (Anniversary Edition) - Region 1 - NTSC RIGHT)
| DVD Box Cover |
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| Distribution |
MGM Region 1 - NTSC |
MGM (Anniversary Edition) Region 1 - NTSC |
| Runtime | 1:49:44 | 1:49:52 |
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Video |
1.85:1 Original Aspect Ratio
16X9 enhanced |
1.85:1 Original Aspect Ratio
16X9 enhanced |
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NOTE: The Vertical axis represents the bits transferred per second. The Horizontal is the time in minutes. |
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Bitrate : MGM (original release) |
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Bitrate: MGM (Anniversary Edition) |
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| Audio | English (Dolby Digital 2.0 Mono), DUB: French (Dolby Digital 2.0 Mono), Spanish (Dolby Digital 2.0 Mono) | English (Dolby Digital 5.1), English (Dolby Digital 2.0 Mono), DUB: French (Dolby Digital 2.0 Mono), Spanish (Dolby Digital 2.0 Mono) |
| Subtitles | French, Spanish, None | English, French, Spanish, None |
| Features |
Release Information: Studio: MGM Aspect Ratio:
Edition Details: Chapters 16 |
Release Information: Studio: MGM (Anniversary Edition) Aspect Ratio:
Edition
Details:
DVD
Release Date: January 15th, 2008 Chapters 28 |
| Comments: |
The new 40th Anniversary (more appropriately 7 years, almost exactly, from the original DVD release date) is improved in every single area. The image (both are dual-layered) takes up almost 2 Gig more space in the new edition - improving the compression but the transfer is obviously new as well - everything is superior - bitrate, colors, detail and it has more information in the frame. There may be some red/black boosting in the Anniversary but that seems to be common practice nowadays in the world of SD production (redder skin tones). I'd love to see this in high-definition one day and it's certainly not out of the question if the film is ever championed for a successfully supported theatrical retrospective. NOTE: there is another difference - either the new release is slightly vertically compressed (likely) or the old is slightly stretched. It didn't deter my viewing (I actually watched it twice) and I can't see it bothering anyone... but it should be noted. Other areas of improvement are the inclusion of English subtitles as an option (the original had only French or Spanish choices), a rather unnecessary 5.1 audio bump option (that did have some rich moments), and three new featurettes as extras (see below).
In the supplements the same interesting commentary is included. Although recorded separately it's great to hear Jewison and Steiger give counter-points to his 'over-the-top' performance style etc. Raspy voiced Jewison informs us of many production details he overcame (lighting, screening for the titles etc.). But with the 40th Anniversary we have three new featurettes - about 40 minutes worth that seem better than standard filler - anyway, I enjoyed them much more than the usual fare. This is an easy recommendation for under $15, even if you own the original (which is available at only $2 less ?!?). Great film - I LOVED seeing it again. It is so performance driven and has a fabulous script. Recommended! |
DVD Menus
(MGM - Region 1 - NTSC LEFT vs.
MGM (Anniversary Edition) - Region 1 - NTSC RIGHT)
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Screen Captures
(MGM - Region 1 - NTSC TOP vs. MGM (Anniversary Edition) -
Region 1 - NTSC BOTTOM)
Subtitle Sample: Not exact frame
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(MGM - Region 1 - NTSC TOP vs. MGM (Anniversary Edition) - Region 1 - NTSC BOTTOM)
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(MGM - Region 1 - NTSC TOP vs. MGM (Anniversary Edition) - Region 1 - NTSC BOTTOM)
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(MGM - Region 1 - NTSC TOP vs. MGM (Anniversary Edition) - Region 1 - NTSC BOTTOM)
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(MGM - Region 1 - NTSC TOP vs. MGM (Anniversary Edition) - Region 1 - NTSC BOTTOM)
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(MGM - Region 1 - NTSC TOP vs. MGM (Anniversary Edition) - Region 1 - NTSC BOTTOM)
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Report Card:
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Image: |
MGM Anniversary |
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Sound: |
MGM Anniversary |
| Extras: | MGM Anniversary |
| Menu: | MGM Anniversary |
| DVD Box Cover |
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| Distribution |
MGM Region 1 - NTSC |
MGM (Anniversary Edition) Region 1 - NTSC |
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