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(aka "Bad Guy" or "Nabbeun namja")
directed
by Kim Ki-Duk
Korea 2001
This may well be one of the most perverted love stories
ever. Han-ki is the local tough guy in a red light district and as he one day
sees Son-hwa, a collage student, look at him and smile, he has to have her.
Kissing her, she returns his kiss with slapping him. To make her pay, he lures
her into a situation where she has to sign a letter of debt, by which she then
is forced into prostitution.
The character of Han-ki is a simple as they come. He does two things, he
either sits and watches or he hits someone. He never speaks. At the end, Kim
reveals to us why Han-ki never speaks. Having a high pitch (almost mouse like)
squeaking voice would doubtless make him the target for ridicule and that is
the one thing you cannot afford in this part of town. So in order to survive,
Han-ki never speaks and just hits anyone in sight. The repression of shame is
one of the many aspects of Kim’s auteurism, all noting towards guilt.
While the story raised some logical questions, for instance has the parents
contacted the police about the disappearance of their daughter?, the sheer
force of the story makes us ignore such lapses. The story is so perverted and
so strong, that we have to keep looking. Equally critical is the notion, that
Son-hwa becomes accustomed to being a prostitute, which made feminists attack
the film as misogynistic. And one has to acknowledge these critics, as they
have become part of Kim’s auteurism. When you openly create political
incorrect images, when you openly seek to provoke and attack conventions, the
critic against you becomes part of the oeuvre.
Compared to the rest of Kim’s films, “Bad Guy” stands out as one of his best,
and approaching him by auteurism by the motif of guilt and shame, it may well
be the key work, as the characters emotions are so singular and the setting
almost is mythical. By normal approach, “Bad Guy” is a perverted
uncompromising love story, with an inner of intense beauty and love. Films
like this are rare and must be treasured.
Posters
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Theatrical Release: November 11, 2001 (Pusan International Film Festival)
Reviews More Reviews DVD Reviews
Recommended Books on Korean Cinema (CLICK COVERS or TITLES for more information)
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NO COVER AVAILABLE | NO COVER AVAILABLE |
|
The Cinema Of Japan And Korea (24 Frames) by Justin Bowyer, Jinhee Choi |
Contemporary Korean Cinema : Culture,
Identity and Politics by Hyangjin Lee |
The History of Korean Cinema by Young-il Lee, Young-chol Choe |
Korean Cinema: The New Hong Kong by Anthony Leong |
Korean Film : History, Resistance, and Democratic
Imagination by Eungjun Min, Jinsook Joo, Han Ju Kwak |
The Remasculinization of Korean Cinema
(Asia-Pacific) by Kyung Hyun Kim |
Essential Cinema by Jonathan Rosenbaum |
Im Kwon-Taek: The Making of a Korean National Cinema
by David E. James, Kyung Hyun Kim, Myong-Hwa Chung |
Korean Cinema (Images of Asia) by Frances K. Gateward |
DVD Comparison:
Tartan - Region 2 - PAL vs. CJ Entertainment - Region 3 - NTSC
Big thanks to Henrik Sylow and Ole Kofoed for the Screen Caps!
(Tartan - Region 2 - PAL - LEFT vs. CJ Entertainment - Region 3 - NTSC - RIGHT)
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| Distribution |
Tartan Region 2 - PAL |
CJ
Entertainment Region 3 - NTSC |
| Runtime | 1:42:40 | 1:42:33 |
| Video |
1.78:1 Aspect Ratio
16X9 enhanced |
1.78:1 Aspect Ratio
16X9 enhanced |
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Bitrate:
Tartan NOTE: The Vertical axis represents the bits transferred per second. The Horizontal is the time in minutes. |
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Bitrate:
CJ Entertainment
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| Audio | 2.0 Dolby Digital Korean, 5.1 Dolby Digital Korean, DTS Korean |
2.0 Dolby Digital Korean, 5.1 Dolby Digital Korean |
| Subtitles | English, None | English, Korean or none. Extras is not subtitled! |
| Features |
Release Information: Studio: Tartan Aspect Ratio:
Edition Details:
Chapters 16 |
Release Information: Studio: CJ Entertainment Aspect Ratio:
Edition Details:
DVD
Release Date: May 17, 2002 Chapters 19 |
| Comments |
The Tartan has a sharper
picture and DTS soundtrack. Tartan is missing a few of the extras, but all
have English subtitles including the commentary track. Henrik didn't notice NTSC->PAL ghosting on his TV, which the running times else could indicate as a problem. We are not sure about the difference in the running times, but we guess it's the "company trailers" that is included.
I am sorry to say that the
Tartan release (I own both versions) does indeed suffer from an inferior
NTSC->PAL conversion. There are motion artifacts in between frames (maybe
not as severe as the worst offenders, but still quite noticeable). Tartan
is even more to blame as they did the same atrocity to "Sympathy for Mr.
Vengeance".
There is some glimmer of
hope, as some companies are about to integratetheir own post-processing
into their DVD-filters which replicates the de-interlacing of
stand-alone players.
But until then there is no real solution for PC users. This wrong-flag problem is clearly a fault in the mastering process of NTSC DVDs. Its a shame that about 80% of Hong-Kong and Korean DVDs suffer from that problem -> and you guessed it sympathy for mr vengeance (the Korean DVD) suffers from it, too. Only recently the latest bunch of Korean DVDs seem to be free from this problem (Old boy etc.). DVDs from the US (RC1) are mostly correctly flagged. Robin Wuenderlich |
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DVD Menus
(Tartan - Region 2 - PAL - LEFT vs.
CJ Entertainment - Region 3 - NTSC - RIGHT)
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Subtitle Samples
(Tartan
- Region 2 - PAL - TOP vs. CJ Entertainment - Region 3 - NTSC -
BOTTOM)
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Screen Captures
(Tartan - Region 2 - PAL - TOP vs. CJ Entertainment - Region 3 - NTSC - BOTTOM)
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(Tartan - Region 2 - PAL - TOP vs. CJ Entertainment - Region 3 - NTSC - BOTTOM)
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(Tartan - Region 2 - PAL - TOP vs. CJ Entertainment - Region 3 - NTSC - BOTTOM)
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Report Card:
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Image: |
Tartan |
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Sound: |
Not compared, but Tartan has a DTS soundtrack |
| Extras: | Tartan (for the included English subs.) |
| Menu: | CJ Entertainment |
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Gary Tooze
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Many Thanks...